Rachel Eulena Williams › CV
b. 1991, Miami, FL
Education
Selected Solo and Two-Person Exhibitions
Hair and Body, Dundee Arts Center, Dundee, United Kingdom
Joy & Rain, Xavier Hufkens, Brussels, Belgium
Silk Cotton Snow, The Modern Institute, Osborne Street, Glasgow, UK
Tracing Memory, Canada, New York, NY
Hey Mars, Rachel Eulena Williams and Scott Treleaven, Cooper Cole, Toronto, Canada
Zero Gravity, Ceysson & Bénétière, Saint Etienne, France
Coastal, Cooper Cole, Toronto, Canada
Tennis Elbow, The Journal Gallery, Brooklyn, NY
Coco Currents, Turn Gallery, NY, NY
Selected Group Exhibitions
What a Fool Believes, curated by Elzie Williams III, Subtitled NYC, Brooklyn, NY
On Abstraction, University of Vermont School of the Arts Colburn Gallery, Burlington, VT
Drunk vs Stoned 3, The Ranch, Montauk, NY
Suncrush, Green Naftali, New York, NY
Canada on Paper, Canada East Hampton, East Hampton, NY
My Way: A Gathering, Nicelle Beauchene Gallery, New York, NY
The New Bend, Hauser & Wirth, Los Angeles, CA (Traveling to Hauser & Wirth, Somerset, NY)
Sea Show, Winter Street Gallery, Edgartown, MA
Summer Nights, Canada, New York, NY
Lingua Franca, Kapp Kapp, New York, NY
52 Artists: A feminist Milestone, The Aldrich Contemporary Art Museum, Ridgefield, CT
3 going through 9 to get 27, Galveston Artist residency, Galveston, TX
How to Get Free of the Rectangle, Nichelle Beauchene Gallery, New York, NY
Tangerine, Acquavella, Palm Beach, Fl
Convergent Evolutions, The Conscious of Body Work, Pace Gallery, New York, NY
Gridspace, Xavier Hufkens, Brussels, Belgium
Light, Stone & String, Halsey McKay Gallery, East Hampton, NY
SIP Fellowship Exhibition, The Robert Blackburn, New York, NY
A Chance Encounter, Parts & Labor, Beacon, NY
Rootless, Marvin Gardens, Brooklyn, NY
Assembly, MRS. Gallery, Queens, NY
The Spaces In Between, Ceysson & Bénétière, New York, NY
Envelope, DrawerNYC, Essex Flowers, Online
Hey Mars, Cooper Cole, Toronto, Canada
100!, Loyal Gallery, Stockholm, Sweden
Bushwick Rodeo, Curated by Wallace Whitney, Sean Horton (Presents), Dallas, TX
Go Away Road, Curated by Adrianne Rubenstein, Loyal Gallery, Stockholm, Sweden
Notebook, Curated by Joanne Greenbaum, 56 Henry, New York, NY
Next Wave Art, Brooklyn Academy of Music, Brooklyn, NY
Paradise, Night Gallery, Los Angeles, CA
Surface of a Sphere, Klowden Mann, Los Angeles, CA
Hogs Curve, Curated by Joseph Hart, Halsey Mckay Gallery, East Hampton, NY
Inflatable Tear, Curated by Ellie Rines, Ceysson & Bénétière, New York, NY
William King, Annabeth Marks, Annie Pearlman, Rachel Eulena Williams, Derek Eller Gallery, New York, NY
Feed The Meter 2, Ceysson & Bénétière, Wandhaff, Luxembourg
Parting and Together, Curated by Trudy Benson, Greenpoint Hill, Brooklyn, NY
East Hampton Biennial, Curated by Woobie Bogus and Adrienne Rubenstein, East Hampton, NY
The cause and effect of my love for you, 15 Orchard St Gallery, New York, NY
Shampoo Effect, Mass Gallery Austin, TX
Staccato, SomeTime Salon, San Francisco, CA
Collections
Bank of America Private Bank
The Perez Art Museum, Miami, FL
Residencies and Projects
The Journal Gallery, Tennis Elbow Window Week 21
Elizabeth Foundation for the Arts, Robert Blackburn Printmaking Workshop SIP Fellowship, New York, NY
68 Projects, Galerie Kornfeld, Berlin, Germany
NY Studio Factory, Brooklyn, NY
Teaching
Faculty, The Oxbow School, Napa, CA, 2023
Faculty, Rhode Island School of Design, Providence, RI, 2023
Publications
'Ghost Paintings', Pacific Press
Bibliography
Anne Soward, "The Modern Institute Explores Otherworldly Narratives at Frieze London 2023", Wallpaper*, October 12
Janelle Zara, “Rachel Eulena Williams: From Painting to Sculpture and Back Again”, Art Basel, August 14
Wendy Vogel, "Double Take: “52 Artists: A Feminist Milestone”' at the Aldrich Contemporary Art Museum, Art in America, September 13
Maia Siegel, “Lingua Franca.” The Brooklyn Rail, July 15
Izzy Einstein, “Speaking in Tongues.” Office Magazine, July 20
Louis Block, “How to Get Free of the Rectangle.” The Brooklyn Rail, May 6
Roberta Smith, "The Best Art Shows of 2021 Were in Galleries", The New York Times, December 7
Folasade Ologundudu, “Pace Gave Its New Digital Director Christiana Ine-Kimba Boyle the Keys to Its Brick and Mortar Gallery. The Results Are Refreshing”, September 9
“Pace Announces ‘Convergent Evolutions: The Conscious of Body Work,’ curated by Christiana Ine- Kimba Boyle”, Martin Cid Magazine, August 2
Louis Block, “Rachel Eulena Williams with Louis Block” The Brooklyn Rail, April 7
Jason Stopa, "Rachel Eulena Williams’s Threads of Abstraction." Hyperallergic January 15
"Collectors’ Picks | Swizz Beatz." Art Basel, September 25
"Rachel Eulena Williams." The Creative Independent August 19, 2020
Rachel Eulena Williams' art suggests that Earth - like us - is in a tender state" Deborah Dundas, The Toronto Star
"Rachel Eulena Williams and Scott Treleaven at COOPER COLE" Art Viewer
“Interview with Rachel Eulena Williams” Questions by Emily Burns, Maake Magazine
“Peek Performance Through Closed Turn Gallery” Creators, Vice Magazine
“Episode 23 -Rachel Eulena Williams” Deep Color Podcast
"Pencil in the Studio: Rachel E. Williams" Pencilinthestudio.com