Elizabeth McIntosh › CV

Master of Fine Arts, Painting, Chelsea College of Art and Design, London, UK

Bachelor of Fine Arts, York University, Toronto, ON

A Ball is for Throwing, Canada, New York, NY

Family, Tanya Leighton Gallery, Los Angeles, CA

Show Up, Oakville Galleries, Oakville, Canada
Mom or Mother, Catriona Jeffires, Vancouver, Canada

Night Sweat, Tanya Leighton, Berlin, Germany

Islands, Catriona Jeffries, Vancouver, Canada

Bricks are Heavy, Canada, New York, NY
Starry-Eyed, Diaz Contemporary, Toronto, Canada

Fairy Bread, Diaz Contemporary, Toronto, Canada

Pink Nude, Diaz Contemporary, Toronto, Canada
Division Gallery, Montreal, Canada

Three Oranges, Exercise, Vancouver, Canada

Violet’s Hair, Contemporary Art Gallery, Vancouver, Canada
A Good Play, Diaz Contemporary, Toronto, Canada

Cut Out, Goodwater, Toronto, Canada

Diaz Contemporary, Toronto, Canada
Blanket Gallery, Vancouver, Canada
Two Silver Paintings, Diaz Contemporary, Toronto, Canada

Fire at Full Moon, Blanket Gallery, Vancouver, Canada
Parisian Laundry, Montreal, Canada

Young Night Thought, Diaz Contemporary, Toronto, Canada

Greener Pastures, Toronto, Canada

Clementine Gallery, New York, NY

Revolver Gallery, Toronto, Canada

Cadmio limón, Galeria Pelaires, Mallorca, Spain

Unexplained Parade, Catriona Jeffries, Vancouver, Canada

An Assembly of Shapes, Oakville Galleries, Oakville, Canada

That’s how the light gets in, Musée d’art contemporain de Montréal, Montreal, Canada
Entangled: Two Views on Contemporary Painting, Vancouver Art Gallery, Vancouver, Canada
Bonavista Biennale 2017, Bonavista Peninsula, Canada
Sticky Fingers, Arsenal Contemporary New York, NY
Elizabeth McIntosh, Monique Mouton, Silke Otto-Knapp, Catriona Jeffries, Vancouver, Canada

Fort Greene, Venus, Los Angeles, CA
Esplanade, As It Stands, Los Angeles, CA
Jupe bleue, une blonde, des calculatrices et un nu couché, Parisian Laundry, Montreal, Canada

10 Over 10, Diaz Contemporary, Toronto, Canada
Occasional Furniture, The Apartment, Vancouver, Canada
Breaking the Surface, Diaz Contemporary, Toronto, Canada

Szalon, Logan Center, University of Chicago, Chicago, IL
Persian Rose, Chartreuse Muse, Vancouver Grey, Equinox Gallery, Vancouver, Canada
Two Women: Elizabeth McIntosh and Mina Totino, Model, Vancouver, Canada

Moyra Davey: Ornament and Reproach, Satellite Gallery, Vancouver, Canada
Expo Chicago, Chicago, IL
Goodwater, G Gallery, Toronto, Canada
The Painting Project, Galerie de l’UQÀM, Montreal, Canada

Cut and Paste, Equinox Project Space, Vancouver, Canada
The Shape of Things, Museum of Contemporary Canadian Art, Toronto, Canada

Saint Helen, Daniel Faria Gallery, Toronto, Canada

Art on Paper, Weatherspoon Art Gallery, Greensboro, NC

The Path of Most Resistance, OCAD Professional Gallery, Toronto, Canada
Enacting Abstraction, Vancouver Art Gallery, Vancouver, Canada

Superfudge, The Balmoral, Los Angeles, CA

Paint, Vancouver Art Gallery, Vancouver, Canada
Abstraction, Diaz Contemporary, Toronto, Canada

Spell: A Travelling Exhibition of Contemporary Abstraction, Mendel Art Gallery,
Saskatoon, Canada; The Robert McLaughlin Gallery, Oshawa, Canada; Thames
Art Gallery, Chatham, Canada

Sunscreen, Newzones, Calgary, Canada

Surfaces, Michael Gibson Gallery, London, Canada
Clementine @ Hallwalls, Hallwalls, Buffalo, NY
Aniconica, Perugi Artecontemporanea, Padova, Italy
Paintings and Sculptures, Greener Pastures, Toronto, Canada

Hungry Eyes, Dalhousie Art Gallery, Halifax, Canada

Salty Salute, West Wing, Toronto, Canada
All Tomorrow’s Paintings, Galleri Susanne Højriis, Copenhagen, Denmark
Something About Painting, DCA Gallery, New York, NY

Bruce Grenville, ‘Performative Painting’, in Entangled: Two Views on Contemporary Canadian
Painting, Black Dog Publishing, London, UK; Vancouver Art Gallery, Vancouver

Daina Augaitis, Jesse McKee, eds., Vancouver Special: Ambivalent Pleasures, Vancouver Art Gallery, Vancouver
Leila Hasham, ‘Elizabeth McIntosh’, Vitamin P3, ed. Barry Schwabsky, Phaidon, London, UK

Julie Bélisle, et al., The Painting Project: A Snapshot of Painting in Canada, Galerie de l’UQÀM, Montreal, Canada

Monika Szewczyk and Jan Verwoert, A Good Play, ECU Press, Vancouver, Canada
‘Violet’s Hair: Eli Bornowsky interviews Elizabeth McIntosh’, Contemporary Art Gallery, Vancouver, Canada

‘Characters and Gestures as People Do: Elizabeth McIntosh and Jessica Stockholder in Conversation’, in Paint: A Psychedelic Primer, ed. Monika Szewczyk, Vancouver Art Gallery, Vancouver, Canada

Monica Tap, Hungry Eyes, Dalhousie Art Gallery, Halifax, Canada

Gural, Natasha. “Vivid Colors Erupt at Frieze, Large-Scale Abstract and Figurative Works by Women Artists Wow.” Forbes, May 18

Blake Gopnik. “What to See in N.Y.C. Galleries Right Now.” The New York Times, June 22

Mario Vasquez. “Gallery Rounds: Elizabeth McIntosh.” Artillery Magazine, April 27

Chris Hampton, ‘With and Without a Plan: Play and the Paintings of Elizabeth McIntosh’, National Gallery of Canada Magazine, 18 September
Jasmine Reimer, ‘Night Sweat: Elizabeth McIntosh at Tanya Leighton Gallery’, Peripheral Review, 26 June

Andrew Witt, ‘Painting and Obstinacy’, Peripheral Review, 9 May

Lee Plested, ‘Elizabeth McIntosh, Monique Mouton, Silke Otto-Knapp’, Artforum, September ‘“Sticky Fingers” at Arsenal Contemporary New York’, Blouin Artinfo, 1 August
April Thompson, ‘Vancouver Special and the Issue with Local Surveys’, Canadian Art online, 14 February
Andrew Witt, ‘Eccentric, Polymorphous, Abstract: Vancouver Art and other Mythologies of the Near-Future’, The Mainlander, 14 January

‘Northern Exposure: 3 Game-Changing Canadian Painters You Need to Know’, Artspace, 31 December
Barry Schwabsky, ‘Elizabeth McIntosh’, Artforum, December
‘Elizabeth McIntosh – Why I Paint’, Phaidon Agenda, November

Robert Enright, ‘Divided Pathways: Painting’s Choice’, Border Crossings, Issue 131, September
Mitch Speed, ‘Strange Forever,’ Turps Banana, July
Monika Szewczyk, ‘Persian Rose, Chartreuse Muse, Vancouver Grey’, Artforum, Summer
Michael Turner, ‘A Look at Painting as Journey in Vancouver’, Canadian Art online, 9 April

Aaron Peck, ‘Aaron Peck in Vancouver’, Akimblog online, 13 December

Aaron Peck, ‘Critics’ Picks: Elizabeth McIntosh at Contemporary Art Gallery’, Artforum online, 27 December
Robin Laurence, ‘Elizabeth McIntosh Arouses Abstract Curiosities with Violet’s Hair’, The Georgia Straight, 7 December
‘Elizabeth McIntosh: Collaging Beyond the Canvas’, Canadian Art online, 25 November
Adele Weder, ‘Done. Not Done. Might Be Done…’, Canadian Art, Summer
‘Elizabeth McIntosh: Optical Energies’, Canadian Art online, 10 June
Leah Sandals, ‘When Colours Fall in Love’, The National Post, 19 May

Gary Michael Dault, ‘Elizabeth McIntosh at Goodwater’, The Globe and Mail, 6 June

Rachelle Sawatsky, ‘Don’t Blink: Three Painters on the Rise’, The Block, Vol. 2 Issue 1, January

Dan Starling, ‘Elizabeth McIntosh Interviewed on her Painting and the Work of her Contemporaries’, Pyramid Power, Volume 1, Issue 3
Richard Rhodes, ‘Myspace’, Canadian Art, Spring

Gary Michael Dault, ‘Birth, New Art’, The Globe and Mail, 3 November

Catherine Osborne, ‘The Circle’s Edge’, The National Post, 29 November

Ken Johnson, ‘Elizabeth McIntosh’, The New York Times Art Guide, 3 May

Gary Michael Dault, ‘Salty Salute at the West Wing Art Space’, The Globe and Mail, 30 September

Blake Gopnik, ‘8 For 2000’, The Globe and Mail, 6 November

John Armstrong, ‘Disorderly Conduit’, Border Crossings, Issue 62, May

John Bentley Mays, ‘Young Painters Prove You Can’t Pin Good Art Down’, The Globe and Mail, 4 November

Finger Paint, Vancouver, BC

Artist-in-Residence, Fogo Island Arts, Fogo Island, Canada

International Residency Program, Canada Council for the Arts, ISCP, New York, USA

Associate Professor, Faculty of Visual Art and Material Practice,

Emily Carr University of Art and Design, Vancouver

Assistant Professor, University of Guelph, Guelph, Canada

VIVA Award, Jack and Doris Shadbolt Foundation for the Visual Arts, Vancouve

Toronto Arts Award, Toronto, Canada