Denzil Hurley › CV

In Praise of Use, Institute of Contemporary Art, Miami, FL

Denzil Hurley: To be pained is to have lived through feeling, Canada, New York, NY, curated by Gervais Marsh, Ph.D

Within, Without and About, Canada, New York, NY

Denzil Hurley: Disclosures, Seattle Art Museum, Seattle, WA

Take a stick to it, put it on a line, Canada, New York, NY

Denzil Hurley & Robert Storr, Francine Seders Gallery, Seattle, WA

2 Coasts-2 Visions, Glenn Goldberg & Denzil Hurley, Marist College Art Gallery Poughkeepsie, NY

Weatherspoon Art Museum, Greensboro, NC, catalog

Francine Seders Gallery, Seattle, WA, catalog

Denzil Hurley New Abstract Paintings, Kemper Museum of Contemporary Art Kansas City, MO, catalog

James Harris Gallery, Seattle, WA

Time & Abstraction:  Paintings by Denzil Hurley & Julie Shapiro, Pollock Gallery

Southern Methodist University, Dallas, TX, catalog

Denzil Hurley & Franz West, Burnett Miller Gallery, Los Angeles, CA

Burnett Miller Gallery, Los Angeles, CA

Burnett Miller Gallery, Los Angeles, CA

Mona Berman Gallery, New Haven, CT

Jack Tilton Gallery, New York, NY

Andrew Forge & Denzil Hurley, Mona Berman Gallery, New Haven, CT

Louis B. Comfort Gallery, Haverford College, PA

Marylhurst College, Portland, OR

The Purple Dagger Gallery, Portland, OR  

Is and Isn't: A Context for Denzil Hurley, Canada, New York, NY, curated by Melissa E. Feldman

In Search of the Miraculous, Marlborough Gallery, New York, NY

Indie Folk, Jordan Schnitzer Museum of Art Washington State University, Pullman, WA, curated by Melissa E. Feldman (traveled to The Bellevue Arts Museum, Bellevue, WA)

Indie Folk, Adams & Ollman, Portland, OR, curated by Melissa E. Feldman

Storied Objects, Seattle Art Museum, Seattle, WA

Material Properties, Albertz Benda, New York, NY, curated by Maggie Clinton

Departures and Arrivals: Artists in Abstraction, Bainbridge Island Museum of Art, Bainbridge Island, WA

Uses of History, studio e, Seattle, WA, curated by Melissa Feldman, catalog

Doing What Comes Naturally, The Milton Resnick and Pat Passlof Foundation, New York, NY, catalog

Luminaries 2016, Museum of Northwest Art, La Conner, WA

zero, ground, Griffin Art Projects, Vancouver, BC, curated by Lee Plested

Painting in due time, Thomas Erben Gallery, New York, NY

Looking Back / The 11th White Columns Annual, White Columns, New York, NY, curated by Anne Doran

“HEY YOU!  WHO ME?”, 32 Edgewood Gallery, Yale School of Art, New Haven, CT

“ac-qui-si-tions”, The Old Jail Art Center, Albany, NY

Highlights from 2012 & Preview of 2013, Francine Seders Gallery, Seattle, WA

“All Things Equal”, Hedreen Gallery, Seattle University, curated by Catharina Manchanda Seattle, WA

The Armory Show/Danese Gallery Booth, New York, NY

Works on Paper, Danese Gallery, New York, NY

Prints & Monoprints, Francine Seders Gallery, Seattle, WA

Francine Seders Gallery, Seattle, WA

Northwest Biennial, Tacoma Art Museum, Tacoma, WA, curated by Rock

Hushka of Tacoma Art Museum & Alison de Lima Green of Museum of Fine Arts, Houston, TX, catalog

“Alchemy or Change”, The University of Texas at Dallas, curated by Lorraine Tady

Seattle Art Dealers Association, Invitational Exhibition, Wright Exhibition Space, Seattle, WA

Neddy Artist Fellowship Exhibition, Tacoma Art Museum, Tacoma, WA

“Traces & Accumulations”, Wright Exhibition Space, Seattle, WA curated by Rock Hushka

“This Is Not A Group Show”, University of Washington, Art Faculty Exhibition

Jacob Lawrence Gallery, Seattle, WA, catalog/essay by Suzanne Beal

The Chautauqua Institution Exhibition, Chatauqua, NY

Northwest Biennial, Tacoma Art Museum, Tacoma,WA, curated by Rock Hushka of Tacoma

Art Museum & David Kiehl of the Whitney Museum in New York, NY, catalog

Francine Seders Gallery, Seattle, WA

“23+ on 9th”, Elizabeth Leach Gallery, Portland, OR

“Big & small”, Francine Seders Gallery, Seattle, WA

International Abstraction, Seattle Art Museum, Seattle, WA

Peterdi in Context”, Silvermine Guild Galleries, New Canaan, TX

“No Greater Love, Abstraction”, Jack Tilton Gallery, New York, NY

American Academy Invitational Exhibition of Painting & Sculpture, New York, NY

“Alumni Choice”, Yale School of Art, New Haven, CT

“Short Stories”, Rotating Exhibition, Henry Art Gallery, Seattle, WA

“Abstraction/Construction”, Soil Gallery, Seattle, WA

“Trio:  Denzil Hurley, Paul Moran, Julie Shapiro”, Francine Seders Gallery, Seattle, WA

Elizabeth Leach Gallery, Portland, OR

The Edward R. Broida Collection, Orlando Museum of Art, Orlando, FL, catalog

Faculty Exhibition, Jacob Lawrence Gallery, University of Washington, Seattle, WA (also, 1997, 1995, 1994)

American Academy Invitational Exhibition of Painting & Sculpture, New York, NY

“Square Painting/Plane Painting”, Center on Contemporary Art, Seattle, WA

“Minimalism:  Aftermath & Affinities”, Seattle Art Museum, Seattle, WA

“Abstract Painting”, Jack Tilton Gallery, New York, NY

Faculty Exhibition, Yale Norfolk Summer Program, Norfolk, CT

“New Geometry”, Delaware Center for the Contemporary Arts, Wilmington, DE

Faculty Exhibition, Hampshire College, Amherst, MA

Drawing Invitational, Paul Creative Arts Center, University of New Hampshire

Drawing Invitational, Guilford College, Greensboro, NC

Western States Print Invitational, Portland Art Museum, Portland, OR

“Yale Drawing”, Mona Berman Gallery, New Haven, CT

General Electric Headquarters, Fairfield, CT

22ND National Print Exhibition, Brooklyn Museum, Brooklyn, NY, catalog

“Twenty Artists”, Los Angeles Printmaking Society, UCLA, Los Angeles, CA

Painting Invitational, gallery, Studio School, New York, NY

21st National Print Exhibition, Brooklyn Museum, Brooklyn, NY, catalog

Oregon Annual, Portland Art Museum, Portland, OR

Valentina Di Liscia, “15 Art Shows to See in New York This July”, Hyperallergic, 12 July

Blake Gopnik, “What to See in N.Y.C. Galleries in July”, The New York Times, July 5

David Rhodes, “Denzil Hurley: To Be Pained Is to Have Lived through Feeling”, The Brooklyn Rail, July 1

Robert Storr, “Denzil Hurley (1949–2021)”, Artforum, August 4

Emilia Dubricki, “Spring 2019 Highlights”, The Woven Table Press, June 18

Tom McGlynn, “Doing What Comes Naturally: Seven Painters in Their Prime,” The Brooklyn Rail, July 1

Sue Taylor, "Denzil Hurley", Art in America, October 24

Blake Gopnik, "Denzil Hurley’s Monochromes-on-a-Stick: Corn-dog Reinhardts?”, Artnet, September 23

Eric Lin, “Hey you! See this show!”, Yale Daily News, April 15

Marc Trujillo, “The Influence of Andrew Forge”, The Huffington Post, December 5

Robert Ayers, “A Rare Chance: Robert Storr Paintings at Seattle’s Francine Seders Gallery”, Seattle Times, April 13

Paul Kuniholm Pauper, “All Kinds of Blackness”, April 23

Danilla Rumold, “Economy of Means: Robert Storr & Denzil Hurley”, Contemplative Process, April 26

Erin Langner, “‘Black & White & Red All Over’: Denzil Hurley & Robert Storr”, New American Paintings, April 27

Regina Hackett, “Painter Denzil Hurley's layers of labor are a pleasure for the viewer”, The Seattle Post-Intelligencer, February 9

Matthew Kangas, “Creating, and enjoying, art for the sake of art”, The Seattle Times, February 17

Patricia Failing, ARTnews, May

“Selections from the Burnett Miller Collection”, Artdaily, February 22

“merlin zelmore”, www.sabartes.com

Brian McTavish, The Kansas City Star, January 14

Liz Stephens, The University News, University of Missouri, January 17

Alice Thorson, The Kansas City Star, January 18

Regina Hackett, "SAM survey brings Minimalism into the present”, Seattle Post-Intelligencer, August 5

"The Art of Reduction: Denzil Hurley Interview", McClain Johnson, October 26

D. K. Row, The Oregonian, June 30

Regina Hackett, Seattle Post-Intelligencer, April 21

Noah Simblist, Red Headed Step Child, April

Matthew Kangas, The Seattle Times, January 23

Regina Hackett, Seattle Post-Intelligencer, January 24

Tom McTaggart, The Stranger, February 13

Marilu Knode, “The Seattle Scene.” Artnet, 1997

Victoria Josslin, “Aorta”, Contemporary Art & Culture, April/May

Colin Gardner, “Wilshire Center”, Los Angeles Times, July 18

“Uses of History,” studio e Gallery, curated & essay by Melissa Feldman, Seattle, WA

“Doing What Comes Naturally: Seven Painters in Their Prime,” Milton Resnick & Pat Passlof

Foundation, curated & essay by Robert Storr, New York, NY

“All Things Equal”, Hedreen Gallery, Seattle University, essay by Catharina Manchanda, curator, Seattle Art Museum, Seattle, WA

“Works on Paper”, Danese Gallery, New York, NY,

9th Northwest Biennial, essay by Rock Hushka, curator, Tacoma Art Museum, Tacoma, WA

“Alchemy or Change”, essay by Lorraine Tady, The University of Texas at Dallas

“Traces & Accumulations”, essay by Rock Hushka, Wright Exhibition Space Catalog, 8th

Northwest Biennial, essay by Rock Hushka, Tacoma Art Museum, Tacoma, WA

Denzil Hurley, Weatherspoon Art Museum, essay by Dana Self, Greensboro, NC

“This is Not a Group Show”, University of Washington, School of Art, Faculty Exhibition

“Denzil Hurley, New Abstract Paintings”, essay by Philip Van Keuren, Kemper Museum of Contemporary Art, Kansas, MO

“Variant/Glyphic/Negation/Redact”, paintings, 2002-2005, essays by Sheryl Conkelton and Rhonda

Abstraction/Construction”, Soil Gallery, Seattle, WA

“Edward Broida Collection”, Orlando Museum of Art, Orlando, FL

“Time & Abstraction: Paintings by Denzil Hurley & Julie Shapiro”, essay by Philip Van Keuren

Pollock Gallery, Southern Methodist University, Dallas, TX

“Square Painting/Plane Painting”, Center on Contemporary Art, Seattle, WA

“22nd National Print Exhibition”, Brooklyn Museum, NY

Perspecta, M.I.T. Press, Cambridge, MA