Denzil Hurley › CV

Denzil Hurley: To be pained is to have lived through feeling, Canada, New York, NY, curated by Gervais Marsh, Ph.D

Within, Without and About, Canada, New York, NY

Denzil Hurley: Disclosures, Seattle Art Museum, Seattle, WA

Take a stick to it, put it on a line, Canada, New York, NY

Denzil Hurley & Robert Storr, Francine Seders Gallery, Seattle, WA

2 Coasts-2 Visions, Glenn Goldberg & Denzil Hurley, Marist College Art Gallery Poughkeepsie, NY

Weatherspoon Art Museum, Greensboro, NC, catalog

Francine Seders Gallery, Seattle, WA, catalog

Denzil Hurley New Abstract Paintings, Kemper Museum of Contemporary Art Kansas City, MO, catalog

James Harris Gallery, Seattle, WA

Time & Abstraction:  Paintings by Denzil Hurley & Julie Shapiro, Pollock Gallery

Southern Methodist University, Dallas, TX, catalog

Denzil Hurley & Franz West, Burnett Miller Gallery, Los Angeles, CA

Burnett Miller Gallery, Los Angeles, CA

Burnett Miller Gallery, Los Angeles, CA

Mona Berman Gallery, New Haven, CT

Jack Tilton Gallery, New York, NY

Andrew Forge & Denzil Hurley, Mona Berman Gallery, New Haven, CT

Louis B. Comfort Gallery, Haverford College, PA

Marylhurst College, Portland, OR

The Purple Dagger Gallery, Portland, OR  

Is and Isn't: a context for Denzil Hurley, Canada, New York, NY, curated by Melissa E. Feldman

In Search of the Miraculous, Marlborough Gallery, New York, NY

Indie Folk, Jordan Schnitzer Museum of Art Washington State University, Pullman, WA, curated by Melissa E. Feldman

Indie Folk, Adams & Ollman, Portland, OR, curated by Melissa E. Feldman

Storied Objects, Seattle Art Museum, Seattle, WA

Material Properties, Albertz Benda, New York, NY, curated by Maggie Clinton

Departures and Arrivals: Artists in Abstraction, Bainbridge Island Museum of Art, Bainbridge Island, WA

Uses of History, studio e, Seattle, WA, curated by Melissa Feldman, catalog

Doing What Comes Naturally, The Milton Resnick and Pat Passlof Foundation, New York, NY, catalog

Luminaries 2016, Museum of Northwest Art, La Conner, WA

zero, ground, Griffin Art Projects, Vancouver, BC, curated by Lee Plested

Painting in due time, Thomas Erben Gallery, New York, NY

Looking Back / The 11th White Columns Annual, White Columns, New York, NY, curated by Anne Doran

“HEY YOU!  WHO ME?”, 32 Edgewood Gallery, Yale School of Art, New Haven, CT

“ac-qui-si-tions”, The Old Jail Art Center, Albany, NY

Highlights from 2012 & Preview of 2013, Francine Seders Gallery, Seattle, WA

“All Things Equal”, Hedreen Gallery, Seattle University, curated by Catharina Manchanda Seattle, WA

The Armory Show/Danese Gallery Booth, New York, NY

Works on Paper, Danese Gallery, New York, NY

Prints & Monoprints, Francine Seders Gallery, Seattle, WA

Francine Seders Gallery, Seattle, WA

Northwest Biennial, Tacoma Art Museum, Tacoma, WA, curated by Rock

Hushka of Tacoma Art Museum & Alison de Lima Green of Museum of Fine Arts, Houston, TX, catalog

“Alchemy or Change”, The University of Texas at Dallas, curated by Lorraine Tady

Seattle Art Dealers Association, Invitational Exhibition, Wright Exhibition Space, Seattle, WA

Neddy Artist Fellowship Exhibition, Tacoma Art Museum, Tacoma, WA

“Traces & Accumulations”, Wright Exhibition Space, Seattle, WA curated by Rock Hushka

“This Is Not A Group Show”, University of Washington, Art Faculty Exhibition

Jacob Lawrence Gallery, Seattle, WA, catalog/essay by Suzanne Beal

The Chautauqua Institution Exhibition, Chatauqua, NY

Northwest Biennial, Tacoma Art Museum, Tacoma,WA, curated by Rock Hushka of Tacoma

Art Museum & David Kiehl of the Whitney Museum in New York, NY, catalog

Francine Seders Gallery, Seattle, WA

“23+ on 9th”, Elizabeth Leach Gallery, Portland, OR

“Big & small”, Francine Seders Gallery, Seattle, WA

International Abstraction, Seattle Art Museum, Seattle, WA

Peterdi in Context”, Silvermine Guild Galleries, New Canaan, TX

“No Greater Love, Abstraction”, Jack Tilton Gallery, New York, NY

American Academy Invitational Exhibition of Painting & Sculpture, New York, NY

“Alumni Choice”, Yale School of Art, New Haven, CT

“Short Stories”, Rotating Exhibition, Henry Art Gallery, Seattle, WA

“Abstraction/Construction”, Soil Gallery, Seattle, WA

“Trio:  Denzil Hurley, Paul Moran, Julie Shapiro”, Francine Seders Gallery, Seattle, WA

Elizabeth Leach Gallery, Portland, OR

The Edward R. Broida Collection, Orlando Museum of Art, Orlando, FL, catalog

Faculty Exhibition, Jacob Lawrence Gallery, University of Washington, Seattle, WA (also, 1997, 1995, 1994)

American Academy Invitational Exhibition of Painting & Sculpture, New York, NY

“Square Painting/Plane Painting”, Center on Contemporary Art, Seattle, WA

“Minimalism:  Aftermath & Affinities”, Seattle Art Museum, Seattle, WA

“Abstract Painting”, Jack Tilton Gallery, New York, NY

Faculty Exhibition, Yale Norfolk Summer Program, Norfolk, CT

“New Geometry”, Delaware Center for the Contemporary Arts, Wilmington, DE

Faculty Exhibition, Hampshire College, Amherst, MA

Drawing Invitational, Paul Creative Arts Center, University of New Hampshire

Drawing Invitational, Guilford College, Greensboro, NC

Western States Print Invitational, Portland Art Museum, Portland, OR

“Yale Drawing”, Mona Berman Gallery, New Haven, CT

General Electric Headquarters, Fairfield, CT

22ND National Print Exhibition, Brooklyn Museum, Brooklyn, NY, catalog

“Twenty Artists”, Los Angeles Printmaking Society, UCLA, Los Angeles, CA

Painting Invitational, gallery, Studio School, New York, NY

21st National Print Exhibition, Brooklyn Museum, Brooklyn, NY, catalog

Oregon Annual, Portland Art Museum, Portland, OR

Storr, Robert. “Denzil Hurley (1949–2021).” The Online Edition of Artforum International Magazine, August 4

Catalog, “Doing What Comes Naturally: Seven Painters in Their Prime,” Milton Resnick & Pat Passlof Foundation, curated & essay by Robert Storr, New York, NY
Catalog, “Uses of History,” studio e Gallery, curated & essay by Melissa Feldman, Seattle, WA

Review, “Doing What Comes Naturally: Seven Painters in Their Prime,” by Tom McGlynn, The Brooklyn
Rail, July 1

Review, “New York City Spring 2019 Highlights,” by Emilia Dubricki, The Woven Table Press, (online), June 18

Review "Denzil Hurley" by Sue Taylor, Art in America, October 24

Review "Denzil Hurley’s Monochromes-on-a-Stick: Corn-dog Reinhardts?” By Blake
Gopnik, Artnet September 23

Review, “Hey you! See this show!”,  by Eric Lin, Yale Daily News, April 15, Yale School of Art

Article, “The Influence of Andrew Forge”, by Marc Trujillo, (image & contributing comments by Denzil Hurley), The Huffington Post, December 5

Review, “Black & White & Red All Over”:  Denzil Hurley & Robert Storr”, by Erin Langner, New American Paintings, April 27 Francine Seders Gallery, Seattle, WA

Review, “Economy of Means:  Robert Storr & Denzil Hurley”, by Danilla Rumold, April 26, Francine Seders Gallery, Seattle, WA

Review, “All Kinds of Blackness”, by Paul Kuniholm Pauper, April 23, Francine Seders Gallery

Review, “A Rare Chance:  Robert Storr Paintings at Seattle’s Francine Seders Gallery”, by Robert Ayers, April 13, Seattle Times

Catalog, “All Things Equal”, Hedreen Gallery, Seattle University, essay by Catharina Manchanda, curator, Seattle Art Museum, Seattle, WA

Catalog, “Works on Paper”, Danese Gallery, New York, NY,

Catalog, 9th Northwest Biennial, essay by Rock Hushka, curator, Tacoma Art Museum, Tacoma, WA,

Catalog, “Alchemy or Change”, essay by Lorraine Tady, The University of Texas at Dallas,

Brochure, “Traces & Accumulations”, essay by Rock Hushka, Wright Exhibition Space

Catalog, 8th Northwest Biennial, essay by Rock Hushka, Tacoma Art Museum, Tacoma, WA

Catalog, Denzil Hurley, Weatherspoon Art Museum, essay by Dana Self, Greensboro, NC

Catalog, “This is Not a Group Show”, University of Washington, School of Art, Faculty Exhibition, 2007

Review, ARTnews, May, by Patricia Failing, page 173

Review, The Seattle Times, Feb 17, by Matthew Kangas

Review, The Seattle Post-Intelligencer, Feb 10, by Regina Hackett

Catalog, “Variant/Glyphic/Negation/Redact”, paintings, 2002-2005, essays by Sheryl Conkelton and Rhonda Howard, Francine Seders Gallery, Seattle, WA

Review, www.sabartes.com, by “merlin zelmore”

Review, The Kansas City Star, Jan 14, by Brian McTavish

Review, The University News, University of Missouri, Jan 17, by Liz Stephens

Catalog, “Denzil Hurley, New Abstract Paintings”, essay by Philip Van Keuren, Kemper Museum of Contemporary Art, Kansas, MO,

Review, The Kansas City Star, Jan 18, by Alice Thorson

Catalog, “Abstraction/Construction”, Soil Gallery, Seattle, WA

Review, The Oregonian, June 30, 2000, D. K. Row, Portland, OR

Review, Seattle Post-Intelligencer, April 21, by Regina Hackett

Review, Redheaded Stepchild, April, by Noah Simblist

Catalog, “Time & Abstraction:  Paintings by Denzil Hurley & Julie Shapiro”, essay by Philip Van Keuren Pollock Gallery, Southern Methodist University, Dallas, TX

Catalog, “Edward Broida Collection”, Orlando Museum of Art, Orlando, FL

Catalog, “Square Painting/Plane Painting”, Center on Contemporary Art, Seattle, WA

Review, The Seattle Times, Jan 23, by Matthew Kangas

Review, Seattle Post-Intelligencer, Jan 24, 1997, by Regina Hackett

Review, The Stranger, Feb 13, 1997, by Tom McTaggart, Seattle, WA

Review, Aorta, Contemporary Art & Culture, April/May 1997, by Victoria Josslin

Review, Los Angeles Times, July 25, 1986, by Colin Gardner Contributing author

“About Making”, Perspecta 19, Sept 1982, M.I.T. Press

Catalog, “22nd National Print Exhibition”, Brooklyn Museum, NY, 1981-82

Catalog, “21st National Print Exhibition”, Brooklyn Museum, NY, 1978