Daniel Hesidence › CV

Carrier, Salon 94, New York, NY

Place Holders, CANADA, New York, NY

Summers Gun, CANADA, New York, NY

Summers Gun, Journal Gallery, Brooklyn, NY

Autumn Buffalo, DʼAmelio Terras Gallery, New York, NY

ROSE LAUGHTER Winter Holiday, Andrea Rosen Gallery, New York, NY; curated by David Altmejd

1 7 7 9 / Pedestrians, Feature Inc., New York, NY

1 7 7 9 / Pedestrians, Greener Pastures Contemporary Art, Toronto, Canada

1 7 7 7, Kevin Bruk Gallery, Miami, FL (catalog)

1 7 3 6, Shaheen Modern and Contemporary Art, Cleveland, OH

Waltz Paintings, Kantor Feuer Gallery, Los Angeles, CA

Feature Inc., New York, NY

M du B, F, H & g, Montreal, Canada

Feature Inc., New York, NY

M du B, F, H & g, Montreal, Canada

Canada on Paper, Canada East Hampton, East Hampton, NY

Neo-Abstraction: Celebrating a Gift of Contemporary Art from John and Sara Shlesinger, Georgia Museum of Art, Athens, Georgia

The Thick Stream, CANADA, New York, NY

Time Slip, Friedrich Petzel Gallery, New York, NY

sotto voce, Bortolami Gallery, New York, NY

Canada b/w Drag City, Soccer Club Club, Chicago, IL

Make Painting Great Again, CANADA, NY

The Painter of Modern Life, Anton Kern Gallery, New York, NY, organized by Bob Nickas

Fertility, 33 Orchard, New York, NY

The Encyclopedic Palace, 55th Venice Biennale, Venice Italy, curated by Massimiliano Gioni

The Old, the New, the Different, Kunsthalle Bern, Switzerland Pothole, Salon 94, New York, NY

bodybraingame, Rhona Hoffman Gallery, Chicago, IL, curated by Hudson

Facing the Abyss, Witzenhausen Gallery, New York, NY

La Tableau, Cheim and Read, New York, NY; curated by Joe Fyfe Black is the color, NP Contemporary Arts Center, New York

Why Painting Now, BFAS/Blondeau Fine Art Services, Geneva, Switzerland

Cave Painting: Installment #1, Greshamʼs Ghost, New York, NY; organized by Bob Nickas

A Pink Panther, Kumukumu Gallery, New York, NY; curated by Amy Smith- Stewart with Hannah Dumes and Nicole OʼRourke

Splinter of the Mindʼs Eye, Philip Slein Gallery, St. Louis, MO

Cave Painting, PSM Gallery, Berlin, Germany; curated by Bob Nickas

The Anniversary Show, Tracy Williams Limited, New York, NY

Populate This Form, Feature Inc., New York, NY

Political Correct, BFAS/Blondeau Fine Art Services, Geneva, Switzerland, curated by Hudson

Bob Nickas: Recent Acquisitions, Gifts, and Works from Various Exhibitions 1985-2007, White Columns, New York, NY

Ambivalent Figuration; People, Samson Projects, Boston, MA

Painting as Fact – Fact as Fiction, de Pury & Luxembourg, Zurich, Switzerland; curated by Robert Nickas

Miami Basel, Miami (Kevin Bruk Gallery)

Handcrafter Optimism, Bodybuilders & Sportsman, Chicago, IL

Warhol &..., Kantor/Feuer, Los Angeles, CA

Heralds of Creative Anachronism, DʼAmelio Terras, New York, NY

Late Liberties, John Connelly Presents, New York, NY

The Way of All Flesh, Bravin Lee Productions, New York, NY

Lippo Parades: When Desperate Times Call for Desperate Measures, Scarfone/Hartley Gallery, University of Tampa, Tampa, FL

USA Today: New American Art from the Saatchi Gallery, Royal Academy of Arts, London, UK (catalog)

The Aleph, Sandroni Rey, Los Angeles, CA

Exquisite Corpse – Cadavre Exquis: A Game Played Between Mitchell Algus and Bob Nickas, Mitchelle Algus Gallery, New York, NY

Dark, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands; curated by Jan Grosfeld and Rein Wolfs (catalog)

Clarissa Dalrympleʼs Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts, Bortolami Dayan, New York, NY; curated by Clarissa Dalrymple

University of Tampa Alumni & Adjunct Faculty Exhibition Scarfone/Hartley Gallery, University of Tampa, Tampa, FL

Greater New York 2005, P.S.1 Contemporary Art Center, Long Island City, NY (catalog)

With shuddering horror pale, and eyes aghast, Artspace, New Haven, CT (brochure)

Gabríela Fridriksdóttir, Daniel Hesidence, Will Ryman, Tracy Williams, Ltd.

New York ʻThe sun rises in the evening.ʼ, Feature Inc., New York, NY

Richard Aldrich, Olivia Booth, Brian Fahlstrom, Carrie Gundersdorf, Daniel Hesidence, Candace Nycz, Sterling Ruby, Marc Foxx, Los Angeles, CA

The Hills Have Eyes, Ingalls and Associates, Miami, FL; curated by Gean Moreno

Traces Everywhere, Tracy Williams, Ltd., New York, NY

Flesh and Blood: The Mind Is A Terrible Thing To Taste, Michael Steinberg Fine Art, New York, NY; curated by Tracy Williams

Fright Wig, Feature Inc., New York, NY

Landscape, Derek Eller Gallery, New York, NY

The Funeral Home, Marc Foxx, Los Angeles, CAS; curated by Dennis Cooper

Another, once again, many times more, Feature Inc., New York, NY

Dan Nadel. “Dan Nadel on the Art of Daniel Hesidence”, The Online Edition of Artforum International Magazine, March 1

"Museum Debuts Expanded Contemporary Collection", UGA Today, July 15

Dan Nadel. “Daniel Hesidence’s Views of an Imaginary Landscape”, Hyperallergic, May 19.

“Make Painting Great Again”, The New Yorker, June 29

Andrew Nunes. “CANADA is Making Painting Great Again”, Vice Magazine, June 22

Jerry Saltz, "I Love Canada’s 17-Artist State-of-the-Medium Spectacle ‘Make Painting Great Again.’ It Also Makes Me Worry for the Fate of the Lower East Side.." Vulture, June 14

Roberta Smith. “In Daniel Hesidence’s Paintings at Canada Gallery, Monochromes and Mystery”, The New York Times. December 24.

Scott Indrisek. “7 Must-See Gallery Shows in New York”, Artinfo, December 16.

Michael Wilson. “Critic’s Pick: Daniel Hesidence, ‘Summers Gun’”, Timeout New York, December 15. 

RW, "La Biennale di Venezia: ll Palazzo Enciclopedico." June 1

Jeff Frederick. “Exhibition Reviews: Daniel Hesidence.” Art in America, February

Roberta Smith. “Art in Review: Daniel Hesidence ʻAutumn Buffaloʼ.” The New York Times, 17 December: C34.

Nana Asfour, “Daniel Hesidence: ʻAutumn Buffalo’", TimeOut, November 19–25

Will Heinrich, “The Force of Color: New Shows By Daniel Hesidence, Ana Mendieta and Bernd and Hilla Becher", New York Observer, November 15

Roberta Smith. "Le Tableau: French Abstraction and Its Affinities", The New York Times, July 2

Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting, Phaidon Press, New York

Piper Marshall, “Cave Painting: A Conversation with Bob Nickas", Art in America, June 22

Goings On About Town, New Yorker, 8 December 2008, pg. 20. Maine, Stephen. Review,

Artcritical.com, December 2008. Wolin, Joseph R. Review, Time Out New York, 27, December

Abstract America: New Painting, exhibition catalog with an introduction by Max Henry, Jonathan Cape.

Random House, London, in association with the Saatchi Gallery.

Lowenstein, Kate. Review of “Late Liberties,” Time Out New York, 23-29 August.

Bly, Liz. Review, artUS, October/November, pg 61. Litt, Steven. Review, Cleveland Plain Dealer, 9 June.

Tranberg, Dan. Preview, Angle, no. 26 (May/June), pg 16. Valerio, Mariel. Lippo Parades, The Minaret, 22 September.

Voeller, Megan. “Homecoming,” Tampa Weekly Planet, 6-12 September, pg 21.

“UT Gallery Highlights Emerging Tampa Artists, Tampa Tribune, 7 September.

Greater New York 2005, exhibition catalog, P.S.1 Contemporary Art Center, Long Island City, New York, pg 188-189.

Birke, Judy. “Exhibit About Fear is Creepy, Daring, and Most Compelling,” New Haven Register. November

Carel, Sari. Review of group exhibition at Tracy Williams, Ltd., artforum.com, Criticsʼ Picks. 24 July.

Church, Amanda. Review of “Traces Everywhere,” Art on Paper, March/April, pg 74.

Eleey, Peter. “Greater New York,” Frieze. May, pg 114-115 (reproduction).

Genocchio, Benjamin. “Everything To Fear, Especially Fear Itself,” New York Times. 2

Manning, Sean. Review of “Traces Everywhere,” New York Press. 2-8 February, pg. 52. 

Ribas, Joao. Review of “Traces Everywhere,” Art Review. April.

Smith, Roberta. Review of group exhibition at Tracy Williams, Ltd., New York Times, 5 August E28.

“Artists in New York,” Contemporary Art 2005, pg 38-43 (reproductions). “New York Special,” Harpers Bazaar Japan. October, pg. 136 (reproduction).

Cotter, Holland. Review, New York Times. 24 September, E33. Manning, Sean. Review, New York Press, 6-12 October, pg 56 (reproduction.)

Mahoney, Robert. Review, Time Out New York. 11-18 April, pg. 71.

Cotter, Holland. “Another, Once Again, Many Times More,” New York Times, Listings. 11 May, E38.