Jason Fox › CV

Cooper Union, New York, NY; BFA

Columbia University, New York, NY; MFA

Jason Fox, David Kordansky, Los Angeles, CA

Beware of Darkness, Almine Rech Gallery, Brussels

Square Cave, CANADA, New York, NY

Criminal Minds, Retrospective Gallery, Hudson, NY

Supernaturalism, CANADA, New York

Eating Symbols, Peter Blum Gallery, New York, NY

The Upper Depths, Peter Blum Gallery, New York, NY

Sunrise at the Bottom of the Ocean, Mario Diacono at Ars Libri, Boston, MA

Alexander Pollazzon Ltd., London

Feature Inc., New York

The Year of Who Knows When, Greener Pastures Contemporary Art, Toronto

Museo de Arte Carrillo Gil, Mexico City

M du B, F, H & g, Montreal, Quebec Canada

Feature Inc, New York, NY (Catalogue)

Feature Inc, New York, NY

Museo de las Artes de la Universidad de Guadalajara, Guadalajara, Jalisco, Mexico

The A.N. Gallery, Karachi, Pakistan

Feature Inc, New York, NY

Cabinet Gallery, London, England

Feature Inc, New York, NY

Feature Inc, New York, NY

Cabinet Gallery, London, England (Catalogue)

Kim Light Gallery, Los Angeles, CA

Feature Inc, New York, NY

Strange Attractors, Apalazzo Gallery, Brescia, Italy

Dark Waters, Action Committee, Los Angeles, CA

Time-Slip, Petzel, New York, NY

Different Strokes, Almine Rech Gallery, London, UK

Artists for New York, Hauser & Wirth, New York, NY

Canada b/w Drag City, Soccer Club Club, Chicago, IL

Samaritans, curated by Dan Nadel, Eva Presenhuber Gallery, New York, NY

Adam McEwen Selects, Exhibition and Sale to Benefit the Foundation for Contemporary Arts

Cheeky: Summer Butts, organized by Anthony Iacono and Peter LaBier, Marinaro, New York, NY

New Hells, Derek Eller Gallery, New York, NY

Jew York, Zach Feuer Gallery, New York, NY

LAT. 41° 7' N., LONG. 72° 19' W, curated by Bob Nickas, Martos Gallery, New York, NY

Rien Faire et Laisser Rire, Galerie Rodolphe Janssen, Brussels, Belgium (curated by Bob Nickas)

Contemporary Surreal Drawings from Rotterdam – Collection Bojmans Van Beuningen, Institute Neellandais, Paris, France

The Old, The New, The Diferent, Kunsthalle Bern , Switzerland (curated by Fabrice Stroun)

Pothole, Salon 94, New York, NY

Group Shoe, Gavin Brown NY (curated by Joe Bradley)

East West Shift to the Middle, Bill Brady/ KC, Kansas City Mo

Stations, Peter Blum Gallery Chelsea, New York, NY

Townie, Foley Gallery, New York, NY (curated by Carl D'Alvia)

A visual sympathy for modernism, Franklin Parrasch Gallery, New York, NY

Huma Bhabha, Joe Bradley, Jason Fox, Baker Overstreet, Aurel Schmidt, Galleria Paolo Curti/ Annamaria Gambuzzi & Co., Milan, Italy (curated by Kineko Ivic)

Jr. & Sons, Zach Feuer Gallery, New York, NY (curated by Joe Bradley)

Cave Painting, Gresham’s Ghost, New York, NY (curated by Bob Nickas)

Huma Bhabha, Jason Fox, Baker Overstreet, Aurel Schmidt, Galleria Paolo Curti /Annamaria Gambuzzi & Co., Milan, Italy (curated by Kineko Ivic)

Unaddressed Circumventions: Folds from a Failed Suicide, Gresham’s Ghost, New York, NY

Jason Fox | Alexis Rockman, Motion Parallax, Franklin Parrasch Gallery, New York, NY

Jason Fox and Huma Bhabha: Atlas Mountains, Andrea Rosen Gallery, New York, NY

New Work, Reynolds Gallery, Richmond, Virginia

Every Revolution is a Roll of the Dice, Paula Cooper Gallery, New York, NY (curated by Bob Nickas)

Political Correct, Blondeau Fine Art Services, Geneva, Switzerland

That Was Then…This is Now, PS1, New York, NY

Summer Group Exhibition, Derek Eller Gallery, New York

peanut gallery, The Journal Gallery Brooklyn, Brooklyn, NY; curated by Joe Bradley

Disarming Matter, Larissa Goldston Gallery, New York, NY; curated by  Erica Svec & Zachary Willard

Huma Bhabha, Andre Ethier, Jason Fox, Greener Pastures Contemporary Art, Toronto, ON

Kim Light Gallery: Early 90s, Kim Light Gallery, Los Angeles, CA

Every Revolution is a Roll of the Dice, Ballroom Marfa, TX; curated by Bob Nickas

RAW – Among the Ruins, Marres Center for Contemporary Culture, Maasricht,Netherlands; curated by Lisette Smits and Alexis Caillant

Shark & Hall- KLAT Featuring Jason Fox, Batiment 59, Artamis, Geneva, Switzerland; curated by KLAT

Feed Your Head, Heskin Contemporary, New York; curated by Andrew Chesler

Thoughts, Feature Inc., New York, NY

Automatic, Franklin Parrasch Gallery, New York; curated by Chris Churchill

The Inhumane Society, Momenta Art, Brooklyn, NY

Drawing III (Selected), g-module, Paris, France

An Ongoing Low-Grade Mystery, Paula Cooper Gallery, New York; curated by Bob Nickas

Exquisite Corpse—Cadavre Exquis: A game played between Mitchell Algus and Bob Nickas, Mitchell Algus Gallery, New York, NY

Clarissa Dalrymple’s Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts, Bortolami Dayan, New York, NY; curated by Clarissa Darylmple

Drunk vs. Stoned 2, Gavin Brown’s Enterprise, New York, NY; curated by Elysia Borowy-Reeder, Gavin Brown,

Corinna Durland, Scott Reeder, and Tyson Reeder

Dual Vision, Wendy Cooper Gallery, Chicago, IL; curated by John McKinnon

The sun rises in the evening., Feature Inc., New York, NY

Greater New York 2005, P.S.1 Contemporary Art Center, Long Island City, NY

Behind the Wall of Sleep, Greener Pastures Contemporary Art, Toronto, CA

Versus: Huma Bhabha and Jason Fox, Arena Mexico, Arte Contemporaneo, Guadalajara, Mexico

The Four-Color Pen Show, Locust Projects, Miami, traveled to; The General Store, Milwaukee, WI. Curated by Elysia Borowy and Heather Hubbs.

Radicales Libres, Central de Arte WTC, Guadalajara, Mexico; curated by Ruben Mendez

Beat the Reaper!, Allston Skirt Gallery, Boston, MA; curated by Joe Bradley

Drunk vs. Stoned, The General Store in association with Gavin Brown’s Enterprise, New York, NY curated by Elysia Borowy

The Burnt Orange Hersey, Space 101, Brooklyn, NY; curated by David Hunt

The Melvins, Anton Kern Gallery, New York, NY; curated by Bob Nickas

Transnational Monster League, Derek Eller Gallery, New York, NY; curated by Banks Violette

ANP: Guide to Trust No.2, Yerba Buena Center for the Arts, San Francisco, CA

Dear Dead Person, Momenta Art, Brooklyn, NY; curated by Banks Violette

Blondies and Brownies, Aktionsforum Praterinsel, Munich, Germany, traveled to; Torch Gallery, Amsterdam, The Netherlands, 2000. Curated by Rafael Von Uslar.

Hairy Forearm’s Self-Referral, Feature Inc., New York, NY

Drawings (two person exhibition with Chris Hammerlein), Feature Inc., New  York, NY

Pleasure Dome, Jessica Fredericks Gallery, New York, NY

X-Thetic, Stefanelli Exhibition Space, New York, NY; curated by Giles Lyon Cookie Snow Feature

Cokkie Snoei, Rotterdam, The Netherlands

Drawings, Feature Inc., New York, NY

Loaf, Baumgartner Gallery, New York, NY; curated by Steve DiBennedetto

Xthetic, Angstrom Gallery, Dallas, TX

Sociable Realism, Stephen Friedman Gallery, London, England; curated by Paul Noble

Spectacular Optical: Contemporary Artists Who Share Sensibilities of David Cronenberg, Thread Waxing Space, New York, NY, traveled to; Museum of Contemporary Art, North Miami, FL; CU Art Galleries, University of Colorado at Boulder, Boulder, CO. Curated by Lia Gangitano (catalogue).

Paintings, M de B, F, H & G, Montreal, Quebec, Canada

Ketchup (a project by KLAT), FORDE Espace d’Art Contemporian, Geneva, Switzerland; curated in association with Fabrice Stroun

WOP: Work on/of paper, ANP, Antwerp, Belgium

Yoyogaga, Feature Inc., New York, NY

Bring Your Own Walkman, W139, Amsterdam, The Netherlands; curated by Jack Jaeger Gnarleyand, Feature Inc., New York, NY

Supastore de Lux, Up & Co, New York, NY; curated by Sarah Staton

Popocultural II, Southhampton Art Gallery, Southhampton, England; curated by Cabinet Gallery

Microcosmic Cryptozoic, HERE, New York, NY; curated by Melissa Zexter

Tekenen/Drawing ’96: Rotterdam on Line, Cokkie Snoei, Rotterdam, The Netherlands

Escape Attempts (video screening), Christiania, Denmark, organized by Jack  Jaeger

The Paranoid Machine, Shoshana Wayne Gallery, Santa Monica, CA: curated by Michael Cohen

Popcultural, South London Gallery, London, England; curated by Cabinet Gallery

It’s Only Rock & Roll, Phoenix Art Museum, Phoenix AZ; curated by David Ruben

Gaze a Gazely Stare, Feature Inc., New York, NY

Transmissions Gallery, Glasgow, Scotland

Surface de Reparation, FRAC de Bourgogne, Dijon, France; curated by Eric Troncy

Body Language, Tavelli Gallery, Aspen, CO

Please Don’t Hurt Me!, Cokkie Snoei, Rotterdam, The Netherland, curated by Jack Jaeger

S.I.B. (Swelling Itching Brain), Satellite Gallery, New York, NY

Arachnosphere, Ranmarine Gallery, Long Island City, NY

Outside Possibilities, The Rushmore Festival, Woodbury, NY; curated by Bill Arning

Some Artists I’ve been thinking about that fall under the title of: Wouldn’t it be more pluralistic to embrace turmoil and/or vice?, Andrea Rosen Gallery,  New York, NY

The Return of the Cadavre Exquis, The Drawing Center, New York, NY, Curated by Ann Philbin and Ingrid Schafner

Seven Rooms/Seven Shows, P.S.1 Museum, Long Island City, NY; curated by Kathleen

Cullen, Kim Light Gallery, Los Angeles, CA

The Red Light Show, Stitching CASCO, Utrecht, The Netherlands; curated by Jack Jaeger

The Mud Club, Winchester Cathedral & Lake Nairobi, Gahlberg Gallery, College of DuPage, Glen Ellyn; curated by Hudson (catalogue)

Ofce Party, Feature Inc., New York, NY

Louder, Gallery 400, University of Illinois at Chicago, Chicago, IL; curated by Tony Tasset and Kathryn Hixon

Cotter, Holland, Art in Review, The New York Times, August 1 (reproduction)

Heinrich, Will, The New York Observer/Gallerist, July 30 (reproduction)

Hudson, Suzanne , Artforum  April  page 210 (reproduction)

Asfour, Nana, Time Out New York February 14 (reproduction)

Art, The New Yorker, 2 February,

Rosenberg, Karen, “Art in Review”, The New York Times, 13

February, (reproduction)

Saltz, Jerry, Art, New York Magazine, 2 February, (reproduction)

Schulz, Charlie, “As Below, So Above”, Art Slant, 10 February,

Cotter, Holland. “ Art in Review”. The New York Times, February 26, page 45

Smith, Roberta. “As Chelsea Expands, a Host of Visions Rush In”, The New York Times, 1 June, page 33

Collings, Matthew. It Hurts: New York Art from Warhol to Now

Cotter, Holland. “Art in Review”. The New York Times, 20 November, page E43

Mahoney, Robert. Review (Spectacular Optical), Time Out New York, 18 June

Sciaccaluga, Maurizio. “Chiamatelo Godzilla”, Tema Celeste, October-December, pages 42-51, 98-101 (reproduction)

Smith, Roberta. “ Art in Review.” The New York Times, 3 July, page E33

Reid, Calvin. Review. Art in America, July, page 100 (reproduction)

Freedman, Carl. Review (Popocultural II). Frieze, May, page 75 (reproduction only)

Greeve, Christina. “The Return of the Cadavre Exquis: Twelve

Famous and Fledgling Artists Review “The Surrealist Parlor Game”

Manhattan File, May, pages 64-69 (reproduction)

“Goings on About Town” The New Yorker, 13 November, page 23

Cotter, Holland. “Art in Review” The New York Times, 14 January, page C29

Levin, Kim. “Art in Brief” The Village Voice, 8 February, page 72

Levin, Kim. “Choices” The Village Voice, 28 July

Lillington, David. Review. Metropolis M, April, page 50 (reproduction)

Lillington, David. Review. Time Out, London, 19 January, page 46 (reproduction)

Saltz, Jerry. “A Year in the Tropic of Painting” Art in America, October, pages 90-101 (reproduction)

Yehya, Naief. “La Caligrifia Criminal de Jason Fox” Rock & Pop, July, pages 75-76 (reproduction)

Cameron, Dan. “Arranging Things.” Art & Auction

Fox, Marissa. “Rock Kulture” Option, November/December, pages 83-85

Holmqvist, Karl. Interview. Pig 6

Bekkering, Peter. “Let’s Talk About Sex” Culture Magazine WOAR, October, page 11

Bernardi, David. “News Review” Flash Art, May/June, page 149 (reproduction)

Bonami, Francesco. “U.S. Pain” Flash Art, May/June, pages 100-102 (reproduction)

Figee, Thea. “Bedrijvige Piemels en Borsten bij CASCO” Utrecht, Nieuwsblad, 1 October

Hagermans, Arno. “Riskant Erotik, Maar Geen Porno in ‘The Red Light Show’ ”Utrecht, Nieuwsblad, 16 September

Hoenjet, Frank. “ De Sinaasappelhuid Van de Erotiek” Univeriteitsblad Utrecht, 24 September

Marrs, Jennifer. “Simple Style with a complex Meaning” Courier, 2 October, pages 15,18

“Feature Creatures”, Flash Art, November/December

“Jason Fox”, D.A.P. ArtBooks, New York City

“The Studio of Dr. Mabuse,” Regency Arts Press Limited

“Comfortably Numb: Drawings by Jason Fox” Chemical Imbalance,Winter Jaquette, Julia and Lipkin, Lawrence, guest editors.

“Working Conditions: A Forum on Art and Everyday Life by Younger Artists”, M/E/A/N/I/N/G, November, Pages 12-13

aBeSea, May 16 (artist’s project)

l’endroit ideal (ideal place), Lillie du Roy, Centre d’Art et Jardin, Val du Reuil,France; edited by Eric Troncy, pages 66-67 (artist’s project)

Snake Eyes, number 3, inside back cover (reproduction of artwork)

“The Empire Strikes Back”, ATM Gallery, New York, NY, curated by Canon Hudson and Jason Fox, (artists included: Nancy Spero, Richard Artschwager, Martin Kippenberger, Nicole Eisenman, Huma Bhabha and others)