Carrie Moyer › CV
Carrie Moyer
Lives and works in New York City
Solo and Two Person Exhibitions:
2014 Pirate Jenny, Columbus College of Art and Design, Columbus, OH
2013 Pirate Jenny, Frances Young Tang Museum, Skidmore College,
Saratoga Springs, NY Carrie Moyer, Kai Heinze Berlin, Berlin, Germany
2012 Interstellar, Worcester Art Museum, Worcester, MA
Carrie Moyer & Les Rogers, Suzanne Tarasieve Paris, Paris, France
2011 Canonical, CANADA, New York, NY
2009 Arcana, CANADA, New York, NY
Carrie Moyer: Painting Propaganda, American University Museum /
Katen Center for the Arts, American University, Washington, D.C.
2007 The Stone Age, CANADA, New York, NY
Project: Rendition, Momenta Art, Brooklyn, NY. Collaboration by JC2:
Joy Episalla, Joy Garnett, Carrie Moyer and Carrie Yamaoka
Black Gold, rowlandcontemporary, Chicago, IL
Black Gold, Hunt Gallery, Mary Baldwin College, Staunton, VA
2006 Carrie Moyer and Diana Puntar, Samson Projects, Boston, MA
2004 Two Women: Carrie Moyer and Sheila Pepe, Palm Beach ICA, Palm
Beach, FL (catalog)
Sister Resister, Diverseworks, Houston, TX
Facade Project, Triple Candie, New York, NY
2003 Chromafesto, CANADA, New York, NY
2002 Hail Comrade!, Debs & Co., New York, NY
The Bard Paintings, Gallery @ Green Street, Boston, MA
Meat Cloud, Debs & Co., New York, NY
Straight to Hell: 10 Years of Dyke Action Machine! Yerba Buena Center
for the Arts, San Francisco, CA; Diverseworks, Houston, TX (traveling
exhibition with catalog)
2000 God’s Army, Debs & Co., New York, NY
Group Exhibitions:
2012 The White Album, Louis B. James, New York, NY
Pour, Florida Atlantic University, Fort Lauderdale, FL
2011 A Painting Show, Harris Lieberman Gallery, New York, NY
Afnities: Painting in Abstraction, DAmelio Terras, New York, NY
Paper A - Z, Sue Scott Gallery, New York, NY
2010 Jewel Thief, Tang Teaching Museum, Skidmore College, Saratoga
Springs, NY
Group show curated by Daniel Hesidence, Tracy Williams, LTD, New
York, NY
Pictures Hold Us Captive: Carrie Moyer & Jered Sprecher, Downtown
Gallery, University of Tennessee, Knoxville, TN
The Exquisite Corpse Project: Curated by David Salle, Klemens Gasser
& Tania Grunert, New York, NY
Vivid: Female Currents in Painting, Schroeder Romero & Shredder,
New York, NY
Raw State, 222 Shelby Street Gallery, Santa Fe, NM
Love Never Dies, Form+Content Gallery, Minneapolis, MN
Ultrasonic IV, Mark Moore Gallery, Santa Monica, CA
On PTG, Julius Caesar, Chicago, IL
2009 Don't Perish, Leo Koenig Inc. Projekte, New York, NY
Artists Take Chicago, The Suburban @ Hyde Park Art Center, Chicago,
IL
Yo Mama: Sheila Pepe and Friends, Naomi Arin Contemporary Art, Las
Vegas, NV
One Loses One’s Classics, White Flag Projects, St. Louis, MO
Infinite Possibilities, Momenta Art, Brooklyn, NY
2008 That Was Then This Is Now, PS 1 Contemporary Art Center, New York,
NY
Unnameable Things, Art Space, New Haven, CT
Freeze Frame, Thrust Projects, New York, NY
The Future Must Be Sweet Lower East Side Printshop Celebrates 40
Years, International Print Center New York, NY. Curator: Marilyn
Kushner
Reclaiming the “F” Word: Posters on International Feminisms,
California State
University, Northridge, CA
Break the Rules! Sammlung Hieber/Theising, Mannheimer
Kunstverein, Mannheim, Germany
Publishing Prints: Selections from the Center Street Studio Archive,
Lila and Joel Harnett Museum of Art, University of Richmond,
Richmond VA
2007 Quiet Riot, March Gallery, New York, NY
Don’t Let the Boys Win: Kinke Kooi, Carrie Moyer Lara Schnitger, Mills
College, Oakland, CA
Late Liberties, John Connelly Presents, New York, NY
Absolute Abstraction Judy Ann Goldman Fine Art, Boston MA
Shared Women, Los Angeles Contemporary Exhibitions (LACE), Los
Angeles, CA
Beauty Is In the Streets, Mason Gross School of the Arts, Rutgers
University, New Brunswick, NJ
Afnities: Painting in Abstraction, CSS Galleries, Hessel Museum, Bard
College, Annandale-on-Hudson, NY
New Prints/Spring 2007, IPCNY/International Print Center, New York,
NY.
Fragments of Change, Ernst Rubenstein Gallery, Educational Alliance,
New York, NY
2006 Group Exhibition, Marlborough Chelsea, New York, NY
Pa°per°ing, Deutsche Bank, New York, NY
When Artists Say We, Artists Space, New York, NY
Ridykeulous, Participant, Inc., New York, NY
Do You Think I’m Disco?, Longwood Art Gallery, Bronx, NY
2005 BAM Next Next Visual Art, Brooklyn Academy of Music, Brooklyn, NY.
Curator: Dan Cameron
Around About Abstraction, Weatherspoon Art Museum, Greensboro,
NC. Curator: Ron Platt
New York’s Finest, CANADA, New York
2005 ev+a, Limerick, Ireland. Curator: Dan Cameron (catalog)
Dissent, SPACES, Cleveland, OH
USA, Hoy: Pintura y Escultura, Galeria Marlborough, Madrid, Spain
Chelsea Group Exhibition, Marlborough Chelsea, New York, NY
New Prints 2005/Winter, IPCNY/International Print Center New York,
New York, NY
Twofold: Collaborations on Campus, Richard L. Nelson Gallery & Fine
Arts Collection, Univ. of California, Davis, CA
2004 Republican Like Me, Parlour Projects, Brooklyn, NY
About Painting, Tang Teaching Museum, Skidmore College, Saratoga
Springs, NY. Curator: Ian Berry
LTTR Explosion, Art in General, New York, NY
Watch What We Say, Schroeder Romero, Brooklyn, NY
Cakewalk, Ambrosino Gallery, Miami, FL
Timeless/Timeliness, Aljira Contemporary Arts Center, Newark, NJ
(catalog)
2003 Ameri©an Dre@m: A Survey, Ronald Feldman Fine Arts, New York, NY
Adventures in Abstraction, Judy Ann Goldman Fine Art, Boston, MA
Illegal Art: Freedom of Expression in the Corporate Age, CBGB’s 313
Gallery, NYC, NY; SFMOMA Artist
Gallery, San Francisco, CA (traveling exhibition). Curator: Carrie
McLaren
2002 Unjustified, Apexart, New York, NY. Curator: Kerry James Marshall
(catalog)
2001 Artist-In-Residence Biennial, Ewing Gallery, University of Tennessee,
Knoxville, TN (catalog)
Queer Commodity, Mount Saint Vincent University Art Gallery, Halifax,
Nova Scotia
Raw Womyn, Athens Institute of Contemporary Art, Athens, GA
MFA Thesis Exhibition, Milton Avery Graduate School of the Arts, Bard
College, Red Hook, NY
2000 The Hissing of Summer Lawns, Debs & Co., New York, NY
The Biggest Games in Town, Künstlerwerkstatt Lothringer Strasse,
Munich, Germany
The Color of Friendship, Shedhalle, Zürich, Switzerland
1999 Free Coke, Greene Naftali, New York, NY
Gender Trouble, Neuer Aachener Kunstverein, Aachen, Germany.
Curators: Lutz Hieber, Gisela Theising
Close to You, Gallery @ Green Street, Boston, MA. Curator: Sheila Pepe
Size Matters, GALE Gates, Brooklyn, NY
Jahresgaben 1999, Neuer Aachener Kunstverein, Aachen, Germany.
Curators: Susanne Titz, Wilhelm Schürmann
Zone of Risibility, Rotunda Gallery, Brooklyn, NY. Curator: Carrie
Cooperider
1998 Message To Pretty, Threadwaxing Space, New York, NY. Curator: Lia
Gangitano (catalog)
Summer Show, Debs & Co., New York, NY
Freedom, Liberation and Change: Revisiting 1968, Longwood Arts
Gallery, Bronx, NY. Curator: Betti-Sue Hertz
1997 Vraiment: Féminisme et Art, Le Magasin, Centre National D’Art
Contemporain de Grenoble, France. Curator: Laura Cottingham
(catalog)
The 21st Annual National/International Studio Artists Exhibition, PS1/
Institute for Contemporary Art, New York, NY
Revolution Girl-Style, Messepalast/Museumquartier, Vienna, Austria.
Curators: Annette Baldauf, Katherina Weingartner (catalog)
Hollywood Premiere, Hollywood Premiere Motel, Los Angeles, CA
Patriotism, The Lab, San Francisco, CA
1996 Mixing Messages: Graphic Design in Contemporary Culture, Cooper-
Hewitt National Design Museum. Curator: Ellen Lupton (catalog)
Gender, Fucked, Center on Contemporary Art (COCA), Seattle,WA.
Curators: Harmony Hammond, Catherine Lord
Portraiture, curated by Paul Ha, White Columns, New York, NY
Counterculture: Alternative Information from the Underground Press
to the Internet, Exit Art/The First World, New York, NY. Curators:
Melissa Rachlef, Brian Wallis
1995 In A Diferent Light, University Art Museum, Berkeley, CA. Curators:
Nayland Blake, Lawrence Rinder, Amy Scholder (catalog)
You Are Missing Plenty If You Don’t Buy Here: Images of
Consumerism in American Photography, Frances Lehman Loeb Art
Center, Vassar College, Poughkeepsie, NY. Curator: Rebecca Lawton
Printed at the Lower East Side Printshop: 30 Artists, La Mama Galleria,
New York, NY
Re-Configuring the Figure, Creative Arts Workshop, New Haven, CT
Copy-Art, Oldenburg University, Oldenburg, Germany
1994 Amendments, Hallwalls, Bufalo, NY. Curator: Sara Kellner
Becoming Visible: The Legacy of Stonewall, New York Public Library,
New York, NY
No More Nice Girls, ABC No Rio, New York , NY
Paperworks: Prints From the Lower Eastside Printshop, Rockland
Community College, NY
1993 SILENCE=DEATH, Münchner Stadtmuseum, Munich and Hygiene-
Museum, Dresden
Kunst und AIDS, International AIDS Conference, Berlin, Germany
Awards, Grants, and Honors:
2011 Residency, Yaddo, Saratoga Springs, NY
Residency, MacDowell Colony, Peterborough, NH
2010 Elected to Board of Govenors, Skowhegan School of Painting and
Sculpture
2009 Joan Mitchell Painters and Sculptors award
Anonymous Was A Woman Award
2008 Artist Pension Trust
2004 Special Editions Fellowship, Lower East Side Printshop
2003 BCAT/Rotunda Gallery Joint Multimedia Residency
2002 Aljira Emerge 2003, Professional Development Fellowship
Wattis Artist Residency, Yerba Buena Center for the Arts, San
Francisco, CA
2001 Elaine de Kooning Memorial Fellowship, Bard College
New York State Council on the Arts, Independent Artist Grant
Rockefeller New Media Fellowship, (nominated)
2000 Creative Capital Foundation Grant
Franklin Furnace The Future of the Present Grant
Amazon Autumn Grant
Open Meadows Grant
1999 Peter Norton Family Foundation Project Grant
Astraea National Lesbian Action Foundation Grant
1998 Art/Omi, International Artists’ Residency, Ghent, New York
Pufn Foundation Grant
1996 National Studio Program at P.S.1/The Institute for Contemporary Art,
New York, NY
1994 Art Matters Fellowship
Curatorial Projects:
2006 No Lemons, No Melons, David Krut Projects, New York, NY. Co-
curated with Sheila Pepe
Fall ‘06 Exhibition, Lower East Side Printshop, New York, NY
2004 Republican Like Me, Parlour Projects, Brooklyn, NY. Co-curated with
Dean Daderko and Edwin Ramoran
Press and Catalogs:
2011 Stillman, Steel, “Carrie Moyer in the Studio,” Art in America,
September 2011, pp 120-127
Bui, Phong, “In Conversation: Carrie Moyer with Phong Bui”, The
Brooklyn Rail, September
Cameron, Dan, “Roving Eye: Dan Cameron’s Week in Review,”
artinamerica.com, March, 4
Princenthal, Nancy, “The Jewel Thief: Tang Teaching Museum and Art
Gallery, “Art in America, January 2011
Smith, Roberta, “Free-for-All Spirit Breezes into Art Fair,” The New
York Times, March 4
2010 Butler, Cornelia and Alexandra Schwartz, eds., Modern Women Artists
in the Museum of Modern Art, Museum of Modern Art, New York, NY
Jaskey, Jenny, “Vivid: Female Currents in Painting, Shroeder Romero &
Shredder,” Art Lies, Issue 67, 2010
Smith, Roberta, “Varieties of Abstraction, “Weekend Section”, The New
York Times, August 5
Nickas, Bob, “Painting Abstraction: New Elements in Abstract Painting,
Phaidon Press
2009 Carlin, TJ, "Carrie Moyer: Arcana," Time Out New York, May 21-27, 2009
"Carrie Moyer," The New Yorker, June 1, 2009
Kley, Elizabeth, “Gotham Art and Theatre,” ArtNet, May 20, 2009
Rosenberg, Karen, “Carrie Moyer: Arcana,” Weekend Section, The New
York Times, May 15, 2009
Schwendener, Martha, “Introducing Heide Hatry, William Lamson and
Carrie Moyer: Three New York City artists you probably don’t know,
but should,” Village Voice, July 20, 2009
2008 Nickas, Bob, “Best of 2008: Abstract Painting,” Artforum, December
Olson, Craig, “Freeze Frame: Thrust Projects, January 11 - February
24,” The Brooklyn Rail, March
2007 Baker, Kenneth, “Women’s Art at Mills Mixes Defiance, Humor,” The
San Francisco Chronicle, October 20
Bryan-Wilson, Julia, “Review: Carrie Moyer,” Artforum, April
“Carrie Moyer,” The New Yorker, February 12
Fry, Naomi, “Critics Picks: Carrie Moyer,” artforum.com, January
Goodbody, Bridget L., “Late Liberties,” The New York Times, August 3
Hirsch, Faye, “Carrie Moyer at CANADA,” Art in America, June
Holliday, Frank, “Abstraction Reconsidered,” Gay City News, July 26
“Late Liberties,” The New Yorker, August 20
Kazakina, Katya, “Beer Show, Trendy Puppies, Glitter Pieces: Chelsea
Galleries,” Bloomberg.com, August 22
Maine, Stephen, “Addressing Liberty Without Literality,” The New York
Sun, August 2
Mueller, Stephen, “Lesbian Cubism,” Gay City News, January 18
Robinson, Walter, “Weekend Update,” ArtNet, January 22
Smith, Roberta, “Carrie Moyer: The Stone Age, New Paintings,”
Weekend Section, The New York Times, February 2
2006 Barliant, Claire, “Critics Picks: ‘Do You Think I’m Disco’,”
artforum.com, February
Cotter, Holland, “Do You Think I’m Disco,” The New York Times,
February 3
Daderko, Dean, “A Mirrorball to Liberation,” Gay City News, January
26 - February 1
Genocchio, Benjamin, “Exploring the Efects of Disco’s Beat,” The New
York Times, Feb. 19
McQuaid, Cate, “Radiating Color,” The Boston Globe, February 23
Ripo, Marisa, “Ridykeulous Gets Serious,” NY Arts Magazine, July/
August
Smyth, Cherry, “Review: Carrie Moyer and Diana Puntar,” Modern
Painters, May
2005 Levi Strauss, David and Daniel Joseph Martinez, “Teaching After the
End,” Art Journal, Vol 64, no. 3, Fall
Smith, Roberta, “New York’s Finest,” Weekend Section, Art Guide, The
New York Times, February 11
“The Second Annual New Prints Review,” Art On Paper, Vol. 10, no. 2,
November/December
2004 Barnett, Kari, “Summer Exhibition Opens at PBICA,” Lake Worth Forum,
June 29
Bischof, Dan, “Aljira’s Emerge 2003 Presents Amazing Examples of
Technique,” The Sunday Star-Ledger, August 15
Feinstein, Roni, “Carrie Moyer and Sheila Pepe at the Palm Beach ICA,”
Art in America, December
Feinstein, Roni, “Exhibit Highlights ‘Two Women’ on Diferent Paths,”
The South Florida Sun-Sentinel, August 11
Genocchio, Benjamin, “Young and Provacative, Time Is on Their Side,”
The New York Times, September 12
Greenfield, Beth, “Designs on You,” Time Out New York, September
23-30
Halden, Loann, “Art, Activism and Intimacy,” TWN: The Weekly News,
July 8
Holliday, Frank, “ A Partnership of Ideals,” Gay City News, August 5 -
11
Joy, Jenn, “Two Women: Carrie Moyer and Sheila Pepe,” Contemporary,
Issue 68, McQuiston, Liz, Graphic Agitation 2: Social and Political
Graphics in the Digital Age, Phaidon Press
“Palm Beach Institute of Contemporary Art,” Citylink, June 30 - July 6
Schwan, Gary, “Diverse Ofereings of ‘Two Women’,” The Palm Beach
Post, June 20
Schwan, Gary, “Body of Works Reflects Artist’s Care for Their Craft,”
The Palm Beach Post, July 4
Shefeld, Skip, “Two Women Artists, Three Small Deaths,” The Boca
Raton/Delray Beach News, June 25 - July 1
Sjostrom, Jan, “Two-Woman Show Depicts Hands-On Art,” The Palm
Beach Daily News, July 18-21
Smith, Roberta, “Republican Like Me,” Weekend Section, Art Guide,
The New York Times, September 10
Smith, Roberta, “Caution: Angry Artists at Work,” Weekend Section,
New York Times, August 27
“Tom Johnson/Carrie Moyer,” The New Yorker, January 12
Turner, Elisa, “A Nuanced Past is Transformed into the Present,” The
Miami Herald, August 18
Yee, Ivette, “The Female Perspective,” The South Florida Sun-Sentinel,
July 15
2003 Costello, Devon and Esme Wantanabe, Ameri©an Dre@m, NY
Arts Magazine, March 24
Levin, Kim, “Art Listings: Carrie Moyer,” The Village Voice, January 1-7
Levin, Kim, “Art Listings: Ameri©an Dre@m,” The Village Voice, March
19-25
McQuaid, Cate, “Adventures in Abstraction’ at Judy Goldman Fine
Art,The Boston Globe, June 13
Rubinstein, Raphael, “8 Painters: New Work,” Art in America,
November
2002 Cotter, Holland, “Unjustified,” The New York Times, March 1
Grubb, R.J., “Love, Peace & Work by Carrie Moyer” Baywindows,
February 5
Hopkins, Randi, “Stealing Beauty: Fashion, Photography, and Painting,
The Boston Phoenix, January 5
McQuaid, Cate, “Revolution, Utopia and Other ’60s Dreamscapes, The
Boston Globe, January 26
Parcellin, Paul, “Art Around Town: Carrie Moyer,” Retro-Rocket.com,
February
Strong, Lester, OUT 100: the Year’s Most Intriguing Gay People, Out,
December
Yablonsky, Linda, “Unjustified: Apex Art, Time Out New York,
February 14-21
2001 Atkins, Robert, Straight to Hell: 10 Years of Dyke Action Machine!,
(catalog essay)
Atkins, Robert, Girls With Wheatpaste and Webspace,The Media
Channel, May
Blake, Nayland, Stand Up Dick and Jane, (catalog essay) Project Arts
Centre, Dublin, Ireland
Clark, Emilie and Lytle Shaw, eds., Shark, Issue 3, Winter
Cvetkovich, Ann, Fierce Pussies and Lesbian Avengers,Feminist
Consequences: Theory for the New Century, Elisabeth Bronfen and
Misha Kavka, eds., Columbia University Press
Dunne, Aiden, “Taking Art to the Edges of Life and Death,” The Irish
Times, July 4
Nahas, Dominique, “Carrie Moyer at Debs & Co.,” Art in America, April
Ruane, Medb, “Outer Limits,” Culture Ireland, The Sunday Times, July 15
“Smile,” The New Yorker, June 18 & 25
2000 Cotter, Holland, “Innovators Burst Onstage One (Ka-pow!) at a Time,”
The New York Times, November 10
Delaney, Anngel, “For Art’s Sake,” The New York Blade, September 29
Delaney, Anngel, “Radical Re-visionary,” The New York Blade,
September 8
Hammond, Harmony, Lesbian Art in America: A Contemporary
History, Rizzoli
McCarthy, Joan E., “The Gallery @ Green Street: Close to You,” Art New
England, December/January
Robinson, Walter, “Weekend Update,” ArtNet, October 21
Simpson, Les, “Tripping Down Memory Lane,” Time Out New York,
October 12
Teckel, Augustina, “D.A.M. Mufosi,” (Not Only) One
1999 Becker, Jochen, “Gegenöfentlichkeit hinter Glas,” Die Tageszeitung,
June 26
Becker, Jochen, “Unbehagen der Geschlechter,” Kunstforum
International, September-November
“Frauen & Gestaltung: Der Kleine Unterschied,” Page, December
Glanz, Alexandra, “Das gesammelte Unbehagen” Hannoversche
Allgemeine Zeitung, May 26
Haynes, Esther, “They’re Not Sisters,” Jane, December
Miya-Jervis, Lisa, “Profile: Dyke Action Machine!,” Bitch, Summer
Reusch, Wera, “I want a dyke for president,” Köln StadtRevue, July
Sherman, Mary, “Familiarity Breeds Content in Shows by Friends,
Family,” The Boston Herald, October 10
Sifrin-Peters, Annette, “Vom Unbehagen der Geschlechter” Aachener
Nachrichten, May 31
Tietenberg, Annette, “Überraschung in der Mittagspause,” Frankfurter
Allgemeine Zeitung, June 21
“Unbehagen der Geschlechter im Neuen Aachener Kunstverein,”
Kunst-Bulletin, N. 7-8, July/August
1998 Che, Cathay, “DAM! Sell in Distress,” Time Out New York, July
Loos, Tod, “Lesbian Poster Girls,” The Advocate, December 22
Rand, Erica, “Troubling Customs,” New Art Examiner, Summer
Schlesinger, Toni and Guy Trebay, “Alphabet City,” The Village Voice,
December
1997 Joselit, David, “Exhibiting Gender,” Art In America, January
McQuiston, Liz, Sufragettes to She-Devils: Women’s Liberation and
Beyond, Phaidon Press
1996 Hannaham, James, “Best of the Net: Dyke TV...,” The Village Voice,
October
Harris, Elise, “Agit Pop,” Out, July 1996
Ingram, Gordon Brent, “In Search of Queer Space on the Internet,”
Border/Lines, Fall
Lippy, Tod, “Dial Tone,” Print VI
Lupton, Ellen, Mixing Messages: Graphic Design in Contemporary
Culture, Abrams
Smyth, Cherry, Damn Fine Art by New Lesbian Artists, Cassell
Straayer, Chris, Deviant Eyes, Deviant Bodies: Sexual Re-Orientations
in Film and Video, Columbia University Press
Tompkins, Betty and Robert Witz, eds., Appearances, No. 23, Summer
Turner, Kay, Dear Sappho: Lesbian Love Letters, Past and Present,
Thames & Hudson, 1995
Blake, Nayland, Lawrence Rinder, Amy Scholder, eds., In A Diferent
Light: Visual Culture, Sexual Identity, Queer Practice, City Lights
Deitcher, David, ed., A Question Of Equality: Gay Politics In America
Since Stonewall, Scribners
Osman, Jena and Juliana Spahr, eds., “Documentary,” Chain #2
“News From the Loop: Dyke Action Machine...,” Flash Art, Summer
Shapiro, Carolyn, “Directed Action,” High Performance, Summer
1994 Atkins, Robert, “Scene & Heard,” The Village Voice, July
Schorr, Collier, “Poster Girls,” Artforum, October
Publications:
2003 "Another Dollar: The American Dollar Bill," Another Magazine, Issue 4,
Spring/Summer
"Do You Love the Dyke In Your Face: Lesbian Street Representation,"
Lips, Tits, Hits, Power? Popkulture und Feminismus, Annette Baldauf,
Katherina Weingartner, eds. Folio Verlag, Vienna, 1998
"Do You Love the Dyke In Your Face: Lesbian Street Representation,"
Queers In Space, Gordon Brent Ingram, ed.Bay Press, 1997
"Swann in Love Again," artist page in collaboration with Shelley
Marlow, Zing Magazine, 1998
"Witness: An Exquisite Corpse," xxx fruit Magazine, Anne-Christine
D’Adesky, ed.
Teaching and Professional Experience:
2011 Hunter College, New York, NY, Associate Professor
2007-11Rhode Island School of Design, Providence, RI. Assistant Professor of
Painting
2010 Resident Faculty, Skowhegan, Maine
2006-07Yale University, New Haven, CT. Core Critic, MFA Program
Pratt Institute, Brooklyn, NY. Adjunct Professor
Queens College, Flushing, NY. Adjunct Professor
2005 The Cooper Union, New York, NY Visiting Artist
Tyler School of Art, Elkins Park, PA. Assistant Professor, MFA program
2005-7 Art Institute of Boston, Boston, MFA, Adjunct Professor, MFA program
2003-7 Rutgers, the State University of New Jersey, New Brunswick, NJ. Part-
time instructor
2001 University of Tennessee, Knoxville, TN. Artist-in-Residence
Education:
2001 M.F.A. Painting, Milton Avery Graduate School of the Arts, Bard
College
1995 Skowhegan School of Painting and Sculpture
1990 M.A. Computer Graphic Design, New York Institute of Technology
(with honors)
1985 B.F.A. Painting, Pratt Institute (cum laude)
1978-80 Bennington College
Lives and works in New York City
Solo and Two Person Exhibitions:
2014 Pirate Jenny, Columbus College of Art and Design, Columbus, OH
2013 Pirate Jenny, Frances Young Tang Museum, Skidmore College,
Saratoga Springs, NY Carrie Moyer, Kai Heinze Berlin, Berlin, Germany
2012 Interstellar, Worcester Art Museum, Worcester, MA
Carrie Moyer & Les Rogers, Suzanne Tarasieve Paris, Paris, France
2011 Canonical, CANADA, New York, NY
2009 Arcana, CANADA, New York, NY
Carrie Moyer: Painting Propaganda, American University Museum /
Katen Center for the Arts, American University, Washington, D.C.
2007 The Stone Age, CANADA, New York, NY
Project: Rendition, Momenta Art, Brooklyn, NY. Collaboration by JC2:
Joy Episalla, Joy Garnett, Carrie Moyer and Carrie Yamaoka
Black Gold, rowlandcontemporary, Chicago, IL
Black Gold, Hunt Gallery, Mary Baldwin College, Staunton, VA
2006 Carrie Moyer and Diana Puntar, Samson Projects, Boston, MA
2004 Two Women: Carrie Moyer and Sheila Pepe, Palm Beach ICA, Palm
Beach, FL (catalog)
Sister Resister, Diverseworks, Houston, TX
Facade Project, Triple Candie, New York, NY
2003 Chromafesto, CANADA, New York, NY
2002 Hail Comrade!, Debs & Co., New York, NY
The Bard Paintings, Gallery @ Green Street, Boston, MA
Meat Cloud, Debs & Co., New York, NY
Straight to Hell: 10 Years of Dyke Action Machine! Yerba Buena Center
for the Arts, San Francisco, CA; Diverseworks, Houston, TX (traveling
exhibition with catalog)
2000 God’s Army, Debs & Co., New York, NY
Group Exhibitions:
2012 The White Album, Louis B. James, New York, NY
Pour, Florida Atlantic University, Fort Lauderdale, FL
2011 A Painting Show, Harris Lieberman Gallery, New York, NY
Afnities: Painting in Abstraction, DAmelio Terras, New York, NY
Paper A - Z, Sue Scott Gallery, New York, NY
2010 Jewel Thief, Tang Teaching Museum, Skidmore College, Saratoga
Springs, NY
Group show curated by Daniel Hesidence, Tracy Williams, LTD, New
York, NY
Pictures Hold Us Captive: Carrie Moyer & Jered Sprecher, Downtown
Gallery, University of Tennessee, Knoxville, TN
The Exquisite Corpse Project: Curated by David Salle, Klemens Gasser
& Tania Grunert, New York, NY
Vivid: Female Currents in Painting, Schroeder Romero & Shredder,
New York, NY
Raw State, 222 Shelby Street Gallery, Santa Fe, NM
Love Never Dies, Form+Content Gallery, Minneapolis, MN
Ultrasonic IV, Mark Moore Gallery, Santa Monica, CA
On PTG, Julius Caesar, Chicago, IL
2009 Don't Perish, Leo Koenig Inc. Projekte, New York, NY
Artists Take Chicago, The Suburban @ Hyde Park Art Center, Chicago,
IL
Yo Mama: Sheila Pepe and Friends, Naomi Arin Contemporary Art, Las
Vegas, NV
One Loses One’s Classics, White Flag Projects, St. Louis, MO
Infinite Possibilities, Momenta Art, Brooklyn, NY
2008 That Was Then This Is Now, PS 1 Contemporary Art Center, New York,
NY
Unnameable Things, Art Space, New Haven, CT
Freeze Frame, Thrust Projects, New York, NY
The Future Must Be Sweet Lower East Side Printshop Celebrates 40
Years, International Print Center New York, NY. Curator: Marilyn
Kushner
Reclaiming the “F” Word: Posters on International Feminisms,
California State
University, Northridge, CA
Break the Rules! Sammlung Hieber/Theising, Mannheimer
Kunstverein, Mannheim, Germany
Publishing Prints: Selections from the Center Street Studio Archive,
Lila and Joel Harnett Museum of Art, University of Richmond,
Richmond VA
2007 Quiet Riot, March Gallery, New York, NY
Don’t Let the Boys Win: Kinke Kooi, Carrie Moyer Lara Schnitger, Mills
College, Oakland, CA
Late Liberties, John Connelly Presents, New York, NY
Absolute Abstraction Judy Ann Goldman Fine Art, Boston MA
Shared Women, Los Angeles Contemporary Exhibitions (LACE), Los
Angeles, CA
Beauty Is In the Streets, Mason Gross School of the Arts, Rutgers
University, New Brunswick, NJ
Afnities: Painting in Abstraction, CSS Galleries, Hessel Museum, Bard
College, Annandale-on-Hudson, NY
New Prints/Spring 2007, IPCNY/International Print Center, New York,
NY.
Fragments of Change, Ernst Rubenstein Gallery, Educational Alliance,
New York, NY
2006 Group Exhibition, Marlborough Chelsea, New York, NY
Pa°per°ing, Deutsche Bank, New York, NY
When Artists Say We, Artists Space, New York, NY
Ridykeulous, Participant, Inc., New York, NY
Do You Think I’m Disco?, Longwood Art Gallery, Bronx, NY
2005 BAM Next Next Visual Art, Brooklyn Academy of Music, Brooklyn, NY.
Curator: Dan Cameron
Around About Abstraction, Weatherspoon Art Museum, Greensboro,
NC. Curator: Ron Platt
New York’s Finest, CANADA, New York
2005 ev+a, Limerick, Ireland. Curator: Dan Cameron (catalog)
Dissent, SPACES, Cleveland, OH
USA, Hoy: Pintura y Escultura, Galeria Marlborough, Madrid, Spain
Chelsea Group Exhibition, Marlborough Chelsea, New York, NY
New Prints 2005/Winter, IPCNY/International Print Center New York,
New York, NY
Twofold: Collaborations on Campus, Richard L. Nelson Gallery & Fine
Arts Collection, Univ. of California, Davis, CA
2004 Republican Like Me, Parlour Projects, Brooklyn, NY
About Painting, Tang Teaching Museum, Skidmore College, Saratoga
Springs, NY. Curator: Ian Berry
LTTR Explosion, Art in General, New York, NY
Watch What We Say, Schroeder Romero, Brooklyn, NY
Cakewalk, Ambrosino Gallery, Miami, FL
Timeless/Timeliness, Aljira Contemporary Arts Center, Newark, NJ
(catalog)
2003 Ameri©an Dre@m: A Survey, Ronald Feldman Fine Arts, New York, NY
Adventures in Abstraction, Judy Ann Goldman Fine Art, Boston, MA
Illegal Art: Freedom of Expression in the Corporate Age, CBGB’s 313
Gallery, NYC, NY; SFMOMA Artist
Gallery, San Francisco, CA (traveling exhibition). Curator: Carrie
McLaren
2002 Unjustified, Apexart, New York, NY. Curator: Kerry James Marshall
(catalog)
2001 Artist-In-Residence Biennial, Ewing Gallery, University of Tennessee,
Knoxville, TN (catalog)
Queer Commodity, Mount Saint Vincent University Art Gallery, Halifax,
Nova Scotia
Raw Womyn, Athens Institute of Contemporary Art, Athens, GA
MFA Thesis Exhibition, Milton Avery Graduate School of the Arts, Bard
College, Red Hook, NY
2000 The Hissing of Summer Lawns, Debs & Co., New York, NY
The Biggest Games in Town, Künstlerwerkstatt Lothringer Strasse,
Munich, Germany
The Color of Friendship, Shedhalle, Zürich, Switzerland
1999 Free Coke, Greene Naftali, New York, NY
Gender Trouble, Neuer Aachener Kunstverein, Aachen, Germany.
Curators: Lutz Hieber, Gisela Theising
Close to You, Gallery @ Green Street, Boston, MA. Curator: Sheila Pepe
Size Matters, GALE Gates, Brooklyn, NY
Jahresgaben 1999, Neuer Aachener Kunstverein, Aachen, Germany.
Curators: Susanne Titz, Wilhelm Schürmann
Zone of Risibility, Rotunda Gallery, Brooklyn, NY. Curator: Carrie
Cooperider
1998 Message To Pretty, Threadwaxing Space, New York, NY. Curator: Lia
Gangitano (catalog)
Summer Show, Debs & Co., New York, NY
Freedom, Liberation and Change: Revisiting 1968, Longwood Arts
Gallery, Bronx, NY. Curator: Betti-Sue Hertz
1997 Vraiment: Féminisme et Art, Le Magasin, Centre National D’Art
Contemporain de Grenoble, France. Curator: Laura Cottingham
(catalog)
The 21st Annual National/International Studio Artists Exhibition, PS1/
Institute for Contemporary Art, New York, NY
Revolution Girl-Style, Messepalast/Museumquartier, Vienna, Austria.
Curators: Annette Baldauf, Katherina Weingartner (catalog)
Hollywood Premiere, Hollywood Premiere Motel, Los Angeles, CA
Patriotism, The Lab, San Francisco, CA
1996 Mixing Messages: Graphic Design in Contemporary Culture, Cooper-
Hewitt National Design Museum. Curator: Ellen Lupton (catalog)
Gender, Fucked, Center on Contemporary Art (COCA), Seattle,WA.
Curators: Harmony Hammond, Catherine Lord
Portraiture, curated by Paul Ha, White Columns, New York, NY
Counterculture: Alternative Information from the Underground Press
to the Internet, Exit Art/The First World, New York, NY. Curators:
Melissa Rachlef, Brian Wallis
1995 In A Diferent Light, University Art Museum, Berkeley, CA. Curators:
Nayland Blake, Lawrence Rinder, Amy Scholder (catalog)
You Are Missing Plenty If You Don’t Buy Here: Images of
Consumerism in American Photography, Frances Lehman Loeb Art
Center, Vassar College, Poughkeepsie, NY. Curator: Rebecca Lawton
Printed at the Lower East Side Printshop: 30 Artists, La Mama Galleria,
New York, NY
Re-Configuring the Figure, Creative Arts Workshop, New Haven, CT
Copy-Art, Oldenburg University, Oldenburg, Germany
1994 Amendments, Hallwalls, Bufalo, NY. Curator: Sara Kellner
Becoming Visible: The Legacy of Stonewall, New York Public Library,
New York, NY
No More Nice Girls, ABC No Rio, New York , NY
Paperworks: Prints From the Lower Eastside Printshop, Rockland
Community College, NY
1993 SILENCE=DEATH, Münchner Stadtmuseum, Munich and Hygiene-
Museum, Dresden
Kunst und AIDS, International AIDS Conference, Berlin, Germany
Awards, Grants, and Honors:
2011 Residency, Yaddo, Saratoga Springs, NY
Residency, MacDowell Colony, Peterborough, NH
2010 Elected to Board of Govenors, Skowhegan School of Painting and
Sculpture
2009 Joan Mitchell Painters and Sculptors award
Anonymous Was A Woman Award
2008 Artist Pension Trust
2004 Special Editions Fellowship, Lower East Side Printshop
2003 BCAT/Rotunda Gallery Joint Multimedia Residency
2002 Aljira Emerge 2003, Professional Development Fellowship
Wattis Artist Residency, Yerba Buena Center for the Arts, San
Francisco, CA
2001 Elaine de Kooning Memorial Fellowship, Bard College
New York State Council on the Arts, Independent Artist Grant
Rockefeller New Media Fellowship, (nominated)
2000 Creative Capital Foundation Grant
Franklin Furnace The Future of the Present Grant
Amazon Autumn Grant
Open Meadows Grant
1999 Peter Norton Family Foundation Project Grant
Astraea National Lesbian Action Foundation Grant
1998 Art/Omi, International Artists’ Residency, Ghent, New York
Pufn Foundation Grant
1996 National Studio Program at P.S.1/The Institute for Contemporary Art,
New York, NY
1994 Art Matters Fellowship
Curatorial Projects:
2006 No Lemons, No Melons, David Krut Projects, New York, NY. Co-
curated with Sheila Pepe
Fall ‘06 Exhibition, Lower East Side Printshop, New York, NY
2004 Republican Like Me, Parlour Projects, Brooklyn, NY. Co-curated with
Dean Daderko and Edwin Ramoran
Press and Catalogs:
2011 Stillman, Steel, “Carrie Moyer in the Studio,” Art in America,
September 2011, pp 120-127
Bui, Phong, “In Conversation: Carrie Moyer with Phong Bui”, The
Brooklyn Rail, September
Cameron, Dan, “Roving Eye: Dan Cameron’s Week in Review,”
artinamerica.com, March, 4
Princenthal, Nancy, “The Jewel Thief: Tang Teaching Museum and Art
Gallery, “Art in America, January 2011
Smith, Roberta, “Free-for-All Spirit Breezes into Art Fair,” The New
York Times, March 4
2010 Butler, Cornelia and Alexandra Schwartz, eds., Modern Women Artists
in the Museum of Modern Art, Museum of Modern Art, New York, NY
Jaskey, Jenny, “Vivid: Female Currents in Painting, Shroeder Romero &
Shredder,” Art Lies, Issue 67, 2010
Smith, Roberta, “Varieties of Abstraction, “Weekend Section”, The New
York Times, August 5
Nickas, Bob, “Painting Abstraction: New Elements in Abstract Painting,
Phaidon Press
2009 Carlin, TJ, "Carrie Moyer: Arcana," Time Out New York, May 21-27, 2009
"Carrie Moyer," The New Yorker, June 1, 2009
Kley, Elizabeth, “Gotham Art and Theatre,” ArtNet, May 20, 2009
Rosenberg, Karen, “Carrie Moyer: Arcana,” Weekend Section, The New
York Times, May 15, 2009
Schwendener, Martha, “Introducing Heide Hatry, William Lamson and
Carrie Moyer: Three New York City artists you probably don’t know,
but should,” Village Voice, July 20, 2009
2008 Nickas, Bob, “Best of 2008: Abstract Painting,” Artforum, December
Olson, Craig, “Freeze Frame: Thrust Projects, January 11 - February
24,” The Brooklyn Rail, March
2007 Baker, Kenneth, “Women’s Art at Mills Mixes Defiance, Humor,” The
San Francisco Chronicle, October 20
Bryan-Wilson, Julia, “Review: Carrie Moyer,” Artforum, April
“Carrie Moyer,” The New Yorker, February 12
Fry, Naomi, “Critics Picks: Carrie Moyer,” artforum.com, January
Goodbody, Bridget L., “Late Liberties,” The New York Times, August 3
Hirsch, Faye, “Carrie Moyer at CANADA,” Art in America, June
Holliday, Frank, “Abstraction Reconsidered,” Gay City News, July 26
“Late Liberties,” The New Yorker, August 20
Kazakina, Katya, “Beer Show, Trendy Puppies, Glitter Pieces: Chelsea
Galleries,” Bloomberg.com, August 22
Maine, Stephen, “Addressing Liberty Without Literality,” The New York
Sun, August 2
Mueller, Stephen, “Lesbian Cubism,” Gay City News, January 18
Robinson, Walter, “Weekend Update,” ArtNet, January 22
Smith, Roberta, “Carrie Moyer: The Stone Age, New Paintings,”
Weekend Section, The New York Times, February 2
2006 Barliant, Claire, “Critics Picks: ‘Do You Think I’m Disco’,”
artforum.com, February
Cotter, Holland, “Do You Think I’m Disco,” The New York Times,
February 3
Daderko, Dean, “A Mirrorball to Liberation,” Gay City News, January
26 - February 1
Genocchio, Benjamin, “Exploring the Efects of Disco’s Beat,” The New
York Times, Feb. 19
McQuaid, Cate, “Radiating Color,” The Boston Globe, February 23
Ripo, Marisa, “Ridykeulous Gets Serious,” NY Arts Magazine, July/
August
Smyth, Cherry, “Review: Carrie Moyer and Diana Puntar,” Modern
Painters, May
2005 Levi Strauss, David and Daniel Joseph Martinez, “Teaching After the
End,” Art Journal, Vol 64, no. 3, Fall
Smith, Roberta, “New York’s Finest,” Weekend Section, Art Guide, The
New York Times, February 11
“The Second Annual New Prints Review,” Art On Paper, Vol. 10, no. 2,
November/December
2004 Barnett, Kari, “Summer Exhibition Opens at PBICA,” Lake Worth Forum,
June 29
Bischof, Dan, “Aljira’s Emerge 2003 Presents Amazing Examples of
Technique,” The Sunday Star-Ledger, August 15
Feinstein, Roni, “Carrie Moyer and Sheila Pepe at the Palm Beach ICA,”
Art in America, December
Feinstein, Roni, “Exhibit Highlights ‘Two Women’ on Diferent Paths,”
The South Florida Sun-Sentinel, August 11
Genocchio, Benjamin, “Young and Provacative, Time Is on Their Side,”
The New York Times, September 12
Greenfield, Beth, “Designs on You,” Time Out New York, September
23-30
Halden, Loann, “Art, Activism and Intimacy,” TWN: The Weekly News,
July 8
Holliday, Frank, “ A Partnership of Ideals,” Gay City News, August 5 -
11
Joy, Jenn, “Two Women: Carrie Moyer and Sheila Pepe,” Contemporary,
Issue 68, McQuiston, Liz, Graphic Agitation 2: Social and Political
Graphics in the Digital Age, Phaidon Press
“Palm Beach Institute of Contemporary Art,” Citylink, June 30 - July 6
Schwan, Gary, “Diverse Ofereings of ‘Two Women’,” The Palm Beach
Post, June 20
Schwan, Gary, “Body of Works Reflects Artist’s Care for Their Craft,”
The Palm Beach Post, July 4
Shefeld, Skip, “Two Women Artists, Three Small Deaths,” The Boca
Raton/Delray Beach News, June 25 - July 1
Sjostrom, Jan, “Two-Woman Show Depicts Hands-On Art,” The Palm
Beach Daily News, July 18-21
Smith, Roberta, “Republican Like Me,” Weekend Section, Art Guide,
The New York Times, September 10
Smith, Roberta, “Caution: Angry Artists at Work,” Weekend Section,
New York Times, August 27
“Tom Johnson/Carrie Moyer,” The New Yorker, January 12
Turner, Elisa, “A Nuanced Past is Transformed into the Present,” The
Miami Herald, August 18
Yee, Ivette, “The Female Perspective,” The South Florida Sun-Sentinel,
July 15
2003 Costello, Devon and Esme Wantanabe, Ameri©an Dre@m, NY
Arts Magazine, March 24
Levin, Kim, “Art Listings: Carrie Moyer,” The Village Voice, January 1-7
Levin, Kim, “Art Listings: Ameri©an Dre@m,” The Village Voice, March
19-25
McQuaid, Cate, “Adventures in Abstraction’ at Judy Goldman Fine
Art,The Boston Globe, June 13
Rubinstein, Raphael, “8 Painters: New Work,” Art in America,
November
2002 Cotter, Holland, “Unjustified,” The New York Times, March 1
Grubb, R.J., “Love, Peace & Work by Carrie Moyer” Baywindows,
February 5
Hopkins, Randi, “Stealing Beauty: Fashion, Photography, and Painting,
The Boston Phoenix, January 5
McQuaid, Cate, “Revolution, Utopia and Other ’60s Dreamscapes, The
Boston Globe, January 26
Parcellin, Paul, “Art Around Town: Carrie Moyer,” Retro-Rocket.com,
February
Strong, Lester, OUT 100: the Year’s Most Intriguing Gay People, Out,
December
Yablonsky, Linda, “Unjustified: Apex Art, Time Out New York,
February 14-21
2001 Atkins, Robert, Straight to Hell: 10 Years of Dyke Action Machine!,
(catalog essay)
Atkins, Robert, Girls With Wheatpaste and Webspace,The Media
Channel, May
Blake, Nayland, Stand Up Dick and Jane, (catalog essay) Project Arts
Centre, Dublin, Ireland
Clark, Emilie and Lytle Shaw, eds., Shark, Issue 3, Winter
Cvetkovich, Ann, Fierce Pussies and Lesbian Avengers,Feminist
Consequences: Theory for the New Century, Elisabeth Bronfen and
Misha Kavka, eds., Columbia University Press
Dunne, Aiden, “Taking Art to the Edges of Life and Death,” The Irish
Times, July 4
Nahas, Dominique, “Carrie Moyer at Debs & Co.,” Art in America, April
Ruane, Medb, “Outer Limits,” Culture Ireland, The Sunday Times, July 15
“Smile,” The New Yorker, June 18 & 25
2000 Cotter, Holland, “Innovators Burst Onstage One (Ka-pow!) at a Time,”
The New York Times, November 10
Delaney, Anngel, “For Art’s Sake,” The New York Blade, September 29
Delaney, Anngel, “Radical Re-visionary,” The New York Blade,
September 8
Hammond, Harmony, Lesbian Art in America: A Contemporary
History, Rizzoli
McCarthy, Joan E., “The Gallery @ Green Street: Close to You,” Art New
England, December/January
Robinson, Walter, “Weekend Update,” ArtNet, October 21
Simpson, Les, “Tripping Down Memory Lane,” Time Out New York,
October 12
Teckel, Augustina, “D.A.M. Mufosi,” (Not Only) One
1999 Becker, Jochen, “Gegenöfentlichkeit hinter Glas,” Die Tageszeitung,
June 26
Becker, Jochen, “Unbehagen der Geschlechter,” Kunstforum
International, September-November
“Frauen & Gestaltung: Der Kleine Unterschied,” Page, December
Glanz, Alexandra, “Das gesammelte Unbehagen” Hannoversche
Allgemeine Zeitung, May 26
Haynes, Esther, “They’re Not Sisters,” Jane, December
Miya-Jervis, Lisa, “Profile: Dyke Action Machine!,” Bitch, Summer
Reusch, Wera, “I want a dyke for president,” Köln StadtRevue, July
Sherman, Mary, “Familiarity Breeds Content in Shows by Friends,
Family,” The Boston Herald, October 10
Sifrin-Peters, Annette, “Vom Unbehagen der Geschlechter” Aachener
Nachrichten, May 31
Tietenberg, Annette, “Überraschung in der Mittagspause,” Frankfurter
Allgemeine Zeitung, June 21
“Unbehagen der Geschlechter im Neuen Aachener Kunstverein,”
Kunst-Bulletin, N. 7-8, July/August
1998 Che, Cathay, “DAM! Sell in Distress,” Time Out New York, July
Loos, Tod, “Lesbian Poster Girls,” The Advocate, December 22
Rand, Erica, “Troubling Customs,” New Art Examiner, Summer
Schlesinger, Toni and Guy Trebay, “Alphabet City,” The Village Voice,
December
1997 Joselit, David, “Exhibiting Gender,” Art In America, January
McQuiston, Liz, Sufragettes to She-Devils: Women’s Liberation and
Beyond, Phaidon Press
1996 Hannaham, James, “Best of the Net: Dyke TV...,” The Village Voice,
October
Harris, Elise, “Agit Pop,” Out, July 1996
Ingram, Gordon Brent, “In Search of Queer Space on the Internet,”
Border/Lines, Fall
Lippy, Tod, “Dial Tone,” Print VI
Lupton, Ellen, Mixing Messages: Graphic Design in Contemporary
Culture, Abrams
Smyth, Cherry, Damn Fine Art by New Lesbian Artists, Cassell
Straayer, Chris, Deviant Eyes, Deviant Bodies: Sexual Re-Orientations
in Film and Video, Columbia University Press
Tompkins, Betty and Robert Witz, eds., Appearances, No. 23, Summer
Turner, Kay, Dear Sappho: Lesbian Love Letters, Past and Present,
Thames & Hudson, 1995
Blake, Nayland, Lawrence Rinder, Amy Scholder, eds., In A Diferent
Light: Visual Culture, Sexual Identity, Queer Practice, City Lights
Deitcher, David, ed., A Question Of Equality: Gay Politics In America
Since Stonewall, Scribners
Osman, Jena and Juliana Spahr, eds., “Documentary,” Chain #2
“News From the Loop: Dyke Action Machine...,” Flash Art, Summer
Shapiro, Carolyn, “Directed Action,” High Performance, Summer
1994 Atkins, Robert, “Scene & Heard,” The Village Voice, July
Schorr, Collier, “Poster Girls,” Artforum, October
Publications:
2003 "Another Dollar: The American Dollar Bill," Another Magazine, Issue 4,
Spring/Summer
"Do You Love the Dyke In Your Face: Lesbian Street Representation,"
Lips, Tits, Hits, Power? Popkulture und Feminismus, Annette Baldauf,
Katherina Weingartner, eds. Folio Verlag, Vienna, 1998
"Do You Love the Dyke In Your Face: Lesbian Street Representation,"
Queers In Space, Gordon Brent Ingram, ed.Bay Press, 1997
"Swann in Love Again," artist page in collaboration with Shelley
Marlow, Zing Magazine, 1998
"Witness: An Exquisite Corpse," xxx fruit Magazine, Anne-Christine
D’Adesky, ed.
Teaching and Professional Experience:
2011 Hunter College, New York, NY, Associate Professor
2007-11Rhode Island School of Design, Providence, RI. Assistant Professor of
Painting
2010 Resident Faculty, Skowhegan, Maine
2006-07Yale University, New Haven, CT. Core Critic, MFA Program
Pratt Institute, Brooklyn, NY. Adjunct Professor
Queens College, Flushing, NY. Adjunct Professor
2005 The Cooper Union, New York, NY Visiting Artist
Tyler School of Art, Elkins Park, PA. Assistant Professor, MFA program
2005-7 Art Institute of Boston, Boston, MFA, Adjunct Professor, MFA program
2003-7 Rutgers, the State University of New Jersey, New Brunswick, NJ. Part-
time instructor
2001 University of Tennessee, Knoxville, TN. Artist-in-Residence
Education:
2001 M.F.A. Painting, Milton Avery Graduate School of the Arts, Bard
College
1995 Skowhegan School of Painting and Sculpture
1990 M.A. Computer Graphic Design, New York Institute of Technology
(with honors)
1985 B.F.A. Painting, Pratt Institute (cum laude)
1978-80 Bennington College