Joanna Malinowska › CV
1972 Gdynia, Poland
Lives and works in Brooklyn, NY
Education
MFA Yale University. New Haven, CT
Skowhegan School of Painting and Sculpture, Skowhegan, ME
BFA Rutgers, the State University Of New Jersey. New Brunswick, NJ
Solo and Two Person Exhibitions
Halka/Haiti. 18°48’05”N 72°23’01”W, Emigration Museum, Gdynia, Poland
C.T. Jasper and Joanna Malinowska: The Domestic Plane, Bibliowicz Family Gallery, Cornell, Ithaca, New York
C.T. Jasper & Joanna Malinowska: Jurassic Garden, Le Guern Gallery, Warsaw, Poland
C.T. Jasper & Joanna Malinowska: In Savage Society (curated by Andrzej Zagrobelny), GGM, Gdańsk, Poland
Conium maculatum, Mui Ho Fine Arts Library, Cornell University
Not a Metaphorical Forest, CANADA, New York, NY
Independent New York, CANADA, New York, NY
HALKA/HAITI, Polish Pavilion at the 56th International Art Exhibition, La Biennale di Venezia
C.T. Jasper and Joanna Malinowska, Relations, Disrelations, Muzeum Sztuki, Łódź, Poland
A Hawk from a Handsaw, CANADA, New York, NY
Mother Earth Sister Moon (in collaboration with Christian Tomaszewski), Zacheta National Gallery of Art, Warsaw, Poland
Observations and Rehearsals, Analix Forever, Paris, France
A Sudden Wave of Material Culture, Galerie Taiss, Paris, France
Ode à la Baleine, Analix Forever, Geneva, Switzerland
Time of Guerilla Metaphysics, CANADA, New York, NY
Mother Earth, Sister Moon (in collaboration with Christian Tomaszewski), Performa’09, New York, NY
Les aventures dans le code § 120.45, Smack Mellon, Brooklyn, NY
String Quintet for 2 cellos, 2 violas and a corpse, performance of a piece commissioned by Malinowska from composer Masami Tomihisa, organized by Venetia Kapernekas Gallery, New York, NY
20 Spojrzen (20 Gazes), Dobra Witryna, Warsaw, Poland
Umanaqtuaq, Venetia Kapernekas Gallery, New York, NY
In Search of The Miraculous, Continued, Galeria Okna, Contemporary Art Centre, Warsaw, Poland
SHIT HAPPENS/In Search of The Miraculous, Continued, CANADA, New York, NY
Selected Group Exhibitions
Cornell Art Faculty 2022, Johnson Museum of Art, Ithaca, NY
Thoughts on Albert Camus, Venetia Initiatives, New York, NY
TraumA, Triennial Bruges 2021, Bruges, Belgium
30 Years and 30 Days…is the New Punk, Analix Forever, Geneva, Switzerland
Humanimalismes, Topographie de l’art, Paris, France
Niepokoje, GGM, Gdańsk, Poland
Opéra Monde. La quête d’un art total (curated by Stéphane Ghislain Roussel), Centre Pompidou Metz, France
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
ART ET PRESSE, LIBRES ÉCHANGES, Château de Penthes, Geneva, Switzerland
XVI Triennale of Textile,(in collaboration with C.T. Jasper, curated by Marta Kowalewska), Central Musem of Textile Art, Łódź, Poland
Objects Like Us (curated by Amy Smith-Stewart and David Adamo), The Aldrich Contemporary Art Museum, Ridgefield, CT
Tatsuno Art Project 2018 (curated by Akiko Kasuya), Tatsuno, Japan
2018 BIENNIAL: Duration: Passage, Persistence, Survival (curated by Tim Murray) Cornell Council for the Arts, Cornell University, Ithaca, NY
Slummer Nights (curated by Sadie Laska), Canada, New York, NY
Body of Evidence, Peninsula Art Space, Brooklyn, NY
Coś nowego, nic pożyczonego, dużo niebieskiego, Ujazdowski Castle Centre for Contemporary Art, Warsaw, Poland
Video Deli (curated by Julie Gil Giacomini), Vegafria Productions, Paris, France
Izotop, Curators Lab, Poznań, Poland
The Message: New Media Works, The Hirschorn Museum, Washington DC
Greater Together, Australian Center for Contemporary Art, Melbourne, Australia
Travelers. Voyage and Migration in New Art from Central and Eastern Europe, KUMU Art Museum of Estonia, Tallin, Estonia
F*#^$ing Beautiful (curated by Barbara Polla), Magda Danysz Gallery, Paris, France
Late Polishness (curated by Ewa Gorządek i Stach Szabłowski), Ujazdowski Castle Centre for Contemporary Art, Warsaw, Poland
DANCE WITH ME VIDEO (curated by Barbara Polla), Maison Européenne de la Photographie, Paris, France
Mutations, The High Line, New York, NY
Life. A Manual. Exhibition inspired by the work of Georges Perec, Zachęta National Gallery, Warsaw, Poland
Slow, Dimwitted Carnage, Coustof Waxman, New York, NY
Smack Mellon 20th Anniversary Show, Brooklyn, NY
Escape from the “Liberty” Cinema, Galerie im Saalbau, Berlin, Germany
La Biennale d’art contemporain d’Anglet, Anglet, France
Travelers, curated by Magdalena Moskalewicz, Zachęta National Gallery, Warsaw, Poland
Rituals of the Everyday and the Holy Day, curated by Michał Jachuła, Arsenał, Białystok, Poland
Le sens de la peine, art et prison, curated by Barbara Polla, La Terrasse - Espace d'art de Nanterre, Nanterre, France
Takashi Murakami’s Superflat Collection―From Shōhaku and Rosanjin to Anselm Kiefer, Yokohama Art Museum, Yokohama, Japan
Ghetto Biennale, curated by Leah Gordon, Port-au-Prince, Haiti
Gothenburg International Biennial for Contemporary Art, curated by Elvira Dyangani Ose, Gothenburg, Sweden
Private Nationalisms, curated by Edit Andras, Kiscell Museum, Budapest, Hungary
Krasnoyarsk Biennial, curated by Sergey Kovalevsky, Krasnoyarsk, Russia
Affinity Atlas, Tang Museum, Skidmore College, NY
War Games, Marlborough Chelsea, New York NY
La belle énchappée, Château des Adhémar, Montélimar, France
Broadway Morey Boogie, Marlborough Chelsea, New York, NY
This is what sculpture looks like, Postmasters, New York, NY
L’OISEAU VOLÉ, Galerie Vanessa Quang, Paris, France
Public Enemy Galerie Magda Danysz, Paris, France
Splendor Tkaniny, Zachęta National Gallery, Warsaw, Poland
Whitney Biennial, Whitney Museum, New York, NY
ING Foundation - new works, BWA Sopot, Poland
The King Galerie Analix Forever, Geneva, Switzerland
Unlimited Bodies, Plais d’Iena, Paris, France
Five Thousand Generations of Birds, Fitjar Archipelago, Norwar CineMarfa, Marfa, TX
Beautiful Penis, Fluke Galerie, Paris
Shape of Things to Come: New Sculpture, SaatchiGallery, London, UK
All Things Equal, curated by Catharina Manchada, Hedreen Gallery, Seattle, WA
Gridlock A/C Institute, New York, NY
Ailleurs, Espace Culturel Louis Vuitton, Paris, France
Tabula rasa, Galeria Marta Cervera, Madrid, Spain
Work and Leisure curated by Aneta Szylak, Instytut Sztuki Wyspa, Gdansk, Poland
Knights Move, The Sculpture Center, Long Island City, NY
Green Honey, Ramiken Crucible, New York, NY
To Believe, curated by Jeffrey Walkowiak, La Mama La Galeria, New York, NY
Minimal Differences, White Box, New York, NY
Star City: the future under communism, Nottingham Contemporary Art Center, Nottingham, UK
Incarnational Aesthetics, New York Center for Art and Media Studies, New York, NY
Levity, Hendershot Gallery, New York, NY
Mike Smith at the Building, Berlin, Germany
Tactical Support: Curators Choice (curated by Trevor Smith), Tracy Williams, LTD, New York, NY
Practice, practice, practice, Lora Reynolds Gallery, Austin, TX
Towards Confluence (curated by Kamila Wielebska & Remco de Blaaij), HISK, Gent, Belgium
Le cadavre exquis boira le vin nouveau, Analix Forever, Geneva, Switzerland
Old News 4, organized by Jacob Fabricius, Midway Contemporary Art, Minneapolis, MN
Kraj, Galeria Sztuki Wspolczesnej, Opole, Poland
Working Title, Momenta Art, Brooklyn, NY
Dont Need A Weatherman To Know Which Way The Wind Blows (curated by Josh Luis Blondet), Boston Center For The Arts, Boston, MA
Sway (curated by Olga Britschgi and Gianni Motti) Galerie Analix Forever, Geneva Switzerland
Frei Rume, Kunstgemeinschaft, Hallein, Austria
Come On Pilgrim (curated by Laura Mott), CCS Bard College, Annandale-on-Hudson, NY
Videoevenings, Citric Gallery, Brescia, Italy
Manipulacje. O ekonomii klamstwa (curated by Adam Budak), Contemporary Art Centre, Zamek Ujazdowski,
Manipulacje. O ekonomii klamstwa, Laznia Contemporary Art Centre, Gdansk, Poland
Polyphony of Images, The Consulate General of Poland, New York,
3 Windows 4 You, Gandy Gallery, Bratislava, Slovakia
Audio in the elevator, Art in General, New York, NY
Pale Ramon, Galerie Analix Forever, Geneva, Switzerland
Manipulations, On Economies of Deceit, International Biennale of Contemporary Art, National Gallery, Prague, Czech Republic
At the Mercy of Others the Politics of Care, Whitney Museum of American Art Independent Study Program Exhibition CUNY Art Gallery of the Graduate Center. New York, NY
E-Flux Video Rental, Kunst Werke, Berlin, Germany
Post-Diasporas: Voyages and Missions, 1st Moscow Biennale of Contemporary Art, Moscow, Russia
New New Yorkers, Contemporary Art Centre -Zamek Ujazdowki. Warsaw, Poland
Symposium Geography of Changes, Kunstmuseum, Bern, Switzerland
E-Flux Video Rental, New York, NY
Ladyfest Vien 2004, Vienna, Austria
Self (Por) Traits. Video Marathon, Art in General, New York, NY
d.u.m.b.o. Art Under the Bridge Festival, Water Art, Brooklyn, New York, NY
Brewster Project, Brewster, NY
Cinemania(c) 2003, HDLU Istre/mmc Luka, Pula, Croatia
In Practice, Sculpture Center, Long Island City, NY
Disciplines, McGrath Galleries, New York, NY
Video Rodeo, CANADA, New York, NY
Tuckernuck, CANADA, New York, NY
Additional Awards and Performances
NYFA Fellowship (Sculpture)
John Simon Guggenheim Memorial Fellowship
Speak Easy: Readings on the Rocks (organized by Sarina Basta) Sculpture Center, Long Island City, NY
Episode, Possibly Final contribution to Conatus, a series based on the Spinozian philosophical concept/ was created and curated by Boris Achour
Contribution to Postcard Lovers curated by Xenia Kalpaktsoglou and Christopher Marions for 4th edition of Old News/Pork Salad Press, Copenhagen, Denmark
Artist Residencies
Smack Mellon Artists Studio Program
Cuts and Burnz Video Residency, Brooklyn, NY
Skowhegan School of Painting and Sculpture, Skowhegan, ME
Selected Bibliography
2021 Fikes, Edith, Stories last longer than symbols, Cornell Chronicle, October 25
Bruges Contemporary Art and Architecture Triennial - Triennal Bruges 2021: TrauMA, e-flux, July
2017 Joanna Malinowska "Not a Metaphorical Forest", TimeOut NY, February 6
Massara, Kathleen, “9 Things to See in New York This Week”, artnet, January 30
2015 Wei, Lilly, “Polandia on the Caribbean”, ARTNEWS, May 1, 2015
Wei, Lilly, “POLAND’S VENICE PAVILLION EXPLORES HAITI’S POLISH
CONNECTION”, ARTnews, May 1, 2015.
“The Venice Questionnaire 2015 #32: Jasper & Joanna Malinowska”, ArtReview, May
8, 2015.
2014 “Joanna Malionowska”, Modern Painters, January 2014
2013 Goodman, Matthew Shen, “Joanna Malinowska”, Art in America, December 2013
Gratza, Agnieszka, “Project Runway”, ARTFORUM online, June, 2013
2012 Saltz, Jerry, “Top 10 Art Picks of 2012”, New York Magazine, December 2, 2012
Saltz, Jerry, “How to Make it in the Art World”, New York Magazine, April 22, 2012
Smith, Roberta, “A Survey of a Different Color”, The New York Times, March 1, 2012
Saltz, Jerry, “Leaving Babylon”, New York Magazine, March 1, 2012
2011 Dagen, Philippe, “La sculpture n’est pas morte, c’est Saatchi qui le dit”, Le Monde, June 16
2010 Saltz, Jerry, “Jerry Saltz’s Top 10 Art Shows of 2010”, New York Magazine, Dec. 5
Joanna Malinowska, The New Yorker, January 25, 2010
David Coggins, “Secret Powers, An Interview with Joanna Malinowska”, artnet
Nana Asfour, “Joanna Malinowska, Time of Guerilla Metaphysics” Art Reviews,
Time Out, New York, January, 2010
Magdelena Bugajska, “Ruiny Gwiezdnego Miasteczka”, Newsweek Polska, April 5, 2010
Blachly, Jimbo, “Joanna Malinowska”, BOMB Magazine, Spring
2009 Stokes, Emily, “Perfroma ’09 Various Venues”, New York, Financial Times, November 10
van Ryzin, Jeanne Claire, Practice, “Practice, Practice” at Lora Reynolds Gallery, The American-
Statesman, May 14
2008 McQuiad, Cate, “Familiar Perspectives on Global Warming”, The Boston Globe, March 6
Kowalska, Justyna, “Swiateczna Witryna Obieg”, Warsaw, January
Malkowska, Monika, “Spojrzenie na mistyczne brzmienie Rzeczpospolita”, Warsaw, January 3
2007 Debowska, Anna, “Chrystus w witrynie” Gazeta Wyborcza, December 18
Cotter, Holland, “The Listings” The New York Times, June 1
2006 Genocchio, Benjamin, “Art Review: International Perspectives on Being Polish” The New York Times, December 3,
Dykhuis, Peter and Wark, Jane, Art Papers, November-December
Coggins, David, “Review of Exhibitions” Art in America, October, p. 193-194
Moyer, Carrie, Artseen – The Brooklyn Rail, June, p. 34
2005 Kesley, John, “Russian Front” Artforum, April
2004 Burnett, Craig, “Sleeping Giant” Art Review, March, p 37-39